Ghost in the Graveyard
The Poets Weave | By Romayne Rubinas Dorsey - October 27, 2024
Joseph Kerschbaum reads "Distance From Here," "Into the Darkness," "Ghost in the Graveyard," and "Afterlife."
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Joseph Kerschbaum reads "Distance From Here," "Into the Darkness," "Ghost in the Graveyard," and "Afterlife."
We explore the classical music origins of jazz and pop standards like “Baubles, Bangles, and Beads,” “Lover, Come Back To Me,” and “Full Moon and Empty Arms.”
Music has saved lives. We make it ourselves. What else do you need?
The festival features conversations between award-winning authors, classes, and a fair on Saturday.
Jimmy Heath was off the jazz scene for much of the 1950s, but he returned to make a string of albums that cemented his reputation as a composer and a player.
In Her Words: A Celebration of Female Playwrights, a festival of play-readings, opens at the Constellation Playhouse Sunday October 27.
Clementine Wilson, a tattoo artist at Tattoo Gloriosum, talks about how the trust and intimacy of tattooing is at the heart of the art form.
Browse the playlist for tonight's show.
“Double, double toil and trouble; Fire burn, and cauldron bubble.” This week on Harmonia, we’ll catch a fright listening to scary sounds for Halloween…but Halloween was not always reserved for trick-or-treaters.
Danika Stegeman reads "Field," as well as an excerpt from Ablation.
Mozart, Gottschalk, and even some bluegrass tunes find new life in the IU Jacobs School of Music Ballet Theater's Fall Ballet.
In the 1940s the young singer Anita O’Day became a sensation on the big-band scene, performing one of jazz’s first racially-integrated duets and courting what would become a lifelong reputation as an independent spirit
Raechel Anne Jolie came up in punk scenes around Cleveland in the 90s and early 2000s, and wrote a memoir about that and more, called Rust Belt Femme. She says when you don't fit in to mainstream society, there's plenty of community to be found on the outskirts of it.
Browse our playlist from this week's game.
Join us this week on Harmonia for part two of our series on intabulation. We’ll hear choral works become large organ pieces and explore how Bach turned a chamber sonata into an intricate solo work for the keyboard. / Plus, on our featured release—music from the early Reformation period in Denmark.
Daniel Lassell reads "An Account of a Llama’s Death," "Taking Care," "Clay," "Applause," and "Owlet."
Was “Heat Wave” an Irving Berlin song or a Motown song? Was “In The Still of the Night” a Cole Porter song or a doo-wop song? This week, we explore common confusions in the Great American Songbook.
Celebrating songwriter Randy Newman, whose unique songs retain their resonance over time.
Browse the playlist from this week's game
Join us this week on Harmonia as we explore how generations of musicians adapted existing music for their instruments through the art of intabulation. We’ll hear a chanson become a beautiful lute piece and explore how a Vivaldi concerto turned into a massive work for the organ.
Joseph Kerschbaum reads "Under the Surface," "Augury," "Invasive Species," and "Snapshot."
This week, vocal jazz interpretations of Bob Dylan songs, including Dylan covers by Nina Simone, Kurt Elling, Madeleine Peyroux and more.
Mary Hunter runs Materials for the Arts at the Monroe County Waste Reduction District—the recycling center. She’ll find a place for almost anything you bring her.
Submit answers for tonight's game. Get helpful hints or try bonus trivia challenges. Watch the leaves turn