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We’re continuing our exploration of some less-familiar jazz voices this week, with a close look at some female jazz and pop vocalists from the late 1950s, like Jane Harvey, Peggy King, Honi Gordon and more. Read More »
We explore the classical music origins of jazz and pop standards like “Baubles, Bangles, and Beads,” “Lover, Come Back To Me,” and “Full Moon and Empty Arms.”
They may not be as well known as Rodgers and Hammerstein, but the songwriting duo of Arthur Schwartz and Howard Dietz nevertheless made significant contributions to the American Songbook, like “That’s Entertainment” and “You And The Night And The Music.”
Was “Heat Wave” an Irving Berlin song or a Motown song? Was “In The Still of the Night” a Cole Porter song or a doo-wop song? This week, we explore common confusions in the Great American Songbook.
This week, vocal jazz interpretations of Bob Dylan songs, including Dylan covers by Nina Simone, Kurt Elling, Madeleine Peyroux and more.
The leaves are changing from green to red, the air outside is brisk and cool, and that means it’s time to look at autumn songs from the Great American Songbook.
We take a stroll through the Great American Songbook with walking songs like "Love Walked In" and "I Walk A Little Faster."
Not every composer had the extensive catalog of George Gershwin or Irving Berlin. This week, we’ll explore songwriters like Ann Ronell, Brooks Bowman, and Erroll Garner whose songbooks contain only one hit song.
This week, we remember the artistry of American songwriter Stephen Sondheim, and his many contributions to the American songbook, like “Small World,” “Send In The Clowns,” and more. Sondheim passed away last November at age 91.
A look at singer Dinah Washington, and her years recording for the Mercury record label in the 1940s and 50s.
Beginning in the 1950s, Ella Fitzgerald became known around the world as one of the most renowned live performers in jazz. This week, we’ll sample from some of her best live sets in places like Berlin, Juan-Les-Pins, and the Hollywood Bowl.
We explore the musical partnership of Betty Comden and Adolph Green, two songwriters who contributed gems like “Just In Time” and “The Party’s Over” to the American Songbook.
The “conditional love song” became a staple of musical theater in its golden age, and this week, we’ll listen to jazz interpretations of these songs, as well as other songs with “if” in the title and more “hypothetical” tunes.
This week, we celebrate the smoky voice of jazz singer Chris Connor, who got her start with Claude Thornhill’s band in the 1940s, and went on to record some of the best cool jazz vocal records of the 1950s.
Before Richard Rodgers and Lorenz Hart, there was Walter Donaldson and Gus Kahn. This week, we’ll explore the songs of these early songwriters, including “Makin’ Whoopee,” “My Baby Just Cares For Me,” and “Yes Sir, That’s My Baby.”
Put on your dancing shoes as we cut a rug with the American Songbook. On this episode, we look at jazz standards meant for dancing, including “I Could Have Danced All Night” and “Cheek To Cheek.”
This week on Afterglow, we turn to the music of Paris, and hear songs written "dans la mode française" performed by Madeleine Peyroux, Dean Martin, Blossom Dearie, and more.
A road trip to different U.S. states, with songs like "Georgia On My Mind," "I Been Down In Texas," "Mississippi Mud," and "Massachusetts."
We’re living life among the jet set this week on Afterglow, as we explore songs about traveling from the Great American Songbook, including “Come Fly With Me,” “Travelin’ Light,” and "It's Nice to Go Trav'ling."
This week, I’ll be bringing you our traditional songs of the season, like "Summer Wind," "Summertime," and "Too Darn Hot."
We explore wants and desires this week, hearing “I Want” songs from the American Songbook, including “I Want To Be Happy,” “Whatever Lola Wants,” and “Wouldn’t It Be Loverly.”
2024 marks the 100th anniversary of the film studio MGM, so this week, we’re celebrating one of MGM’s biggest stars: Judy Garland! We’ll take a closer look at her singing work on film, from The Wizard Of Oz to A Star Is Born.
Our 1920s retrospective concludes this week with a look at songs from 100 years ago: 1924. We’ll hear some songs from this year that have resonated over the century, including “Fascinating Rhythm,” “Tea For Two,” and “I’ll See You In My Dreams.”
We’re once again turning back the clock to the Roaring Twenties on Afterglow, to hear the songs from last century that have stuck around. We’ll focus on the year 1923, and its songs like “What'll I Do” and “Linger Awhile.”
Our 1920s retrospective continues this week on Afterglow, as we dive into the year 1922, exploring songs that resonated with audiences and singers over the next century, including “Chicago” and “Lovesick Blues.”
We’re continuing our exploration of songs from the Roaring 20s with a look at 1921, a year that spawned songs like “Ain’t We Got Fun,” “My Man,” “I’m Just Wild About Harry,” and many more.