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Twenty-one scenes with no story line. Six actors, directed and choreographed by DJ Gray with music by Terry LaBolt, scenic design by Reuben Lucas and costuming by Brittany Staudacher.
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Stories from around Indiana...coming to you from the Culbertson Mansion in New Albany.
Jayne Deely's radio play about a CIA asset, airing on WFIU July 17th and 18th. Director Jenny McKnight is new to radio and she's getting a quick course in the medium.
On this episode, it’s a roll call of first names in the Great American Songbook, including “Nancy With The Laughing Face,” “Happiness Is A Thing Called Joe,” and “Johnny One Note.”
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Some traditional songs of the season, like "Summer Wind," "Summertime," and "Too Darn Hot."
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Stories from around Indiana...featuring Ashley and Brandon's favorites from Season 3.
A deeper dive into some less familiar voices in pop music history, the late 1950s/early 1960s singers Mavis Rivers and Toni Harper.
Though it received middling reviews, the 1963 concert series included the festival debuts of Miles Davis and Thelonious Monk, the rollout of Dizzy Gillespie’s “Dizzy For President” campaign, one of jazz legend Jack Teagarden’s last appearances, and a tribute from the Modern Jazz Quartet to Martin Luther King Jr.
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Stories from around Indiana...coming to you from the Southern Indiana Center for the Arts.
Philip Grecian's mix of four Poe stories.
The family game brought to life by director Heidi Waters Vogel and a talented group of actors.
Our Nelson Riddle centennial celebration continues this week by exploring the famous arrangers’ work with singers like Ella Fitzgerald, Keely Smith, Rosemary Clooney, Peggy Lee, and many more.
A comedy by Jacques Lamarre based on the memoir by Guliana Melucci
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Stories from around Indiana...coming to you from the Southern Indiana Center for the Arts.
We continue our 100th-birthday celebration of legendary arranger Nelson Riddle by exploring his most fruitful partnership with Frank Sinatra on iconic albums like "In The Wee Small Hours" and "Songs For Swingin’ Lovers."
In the early 1950s drummer Shelly Manne settled in California and began a remarkable run of recordings that included experimental jazz, popular interpretations of Broadway scores, music for the TV crime show Peter Gunn, one of avant-garde icon Ornette Coleman’s first albums, and charged live performances at San Francisco’s Black Hawk club.
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