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The Songs of 1923

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Songs of 1923 Sheet Music

Sheet music from a few of the songs of 1923 (Public Domain Images)

This week, I’m once again turning back the clock 100 years to explore the songs from the year 1923. In previous episodes, I looked at the songs of 1921 and the songs of 1922. A century ago, the music world was much different: radio still wasn’t widespread, recordings were just beginning to catch on with the public, and icons like Louis Armstrong and Bessie Smith were just starting to cut their first records. But many of the songs from this year, from writers like Isham Jones and Irving Berlin, have had a life that extended many decades into the future. This hour, we’ll hear some more modern versions of these 100-year-old songs like “What’ll I Do,” “I Cried For You,” and “Tin Roof Blues.” 


Jazz, Blues, Country, and The Charleston

1923 was a pivotal time in American music history. New Orleans pianist Jelly Roll Morton and King Oliver's Creole Jazz Band, featuring a young trumpeter named Louis Armstrong, were making their first recordings, laying down the foundation for jazz.

Bessie Smith was making her first recordings, laying down the foundation for blues.

And Fiddlin' John Carson was making his first recordings, laying down the foundation of what would soon be called “country music.” 

One of the notable hits from the year was the song “Charleston,” written by stride pianist James P. Johnson. The song first made an appearance in the 1923 all-black musical Runnin’ Wild, and by the end of the decade “Charleston” and its associated dance craze had essentially defined the Roaring Twenties.

It’s mostly known today as an instrumental tune, but it does have lyrics, first sung by Elisabeth Welch in the show Runnin’ Wild, and has subsequently been performed by people like Chubby Checker and Louis Prima.


 

Jazz Standards

In the jazz world, many standards were composed in the year 1923. Chief among them is Jelly Roll Morton’s “King Porter Stomp.” This song became especially popular in the swing era when a famous recording was made by Benny Goodman and His Orchestra in 1935.

Another jazz standard from this year that's endured into the 21st century is the Vincent Rose and Harry Owens song “Linger Awhile.” It was a hit for Paul Whiteman’s Orchestra in the 1920s, but was also turned into a fast-paced swinger by Sarah Vaughan in 1953. The version by Vaughan was likely the inspiration for jazz singer Samara Joy, who recorded her own fast-paced version on her debut major label album named after that standard Linger Awhile. Just this year, 100 years after “Linger Awhile” was written, Joy won a Grammy Award for that album, as well as the Grammy for Best New Artist.  

Two of the most enduring jazz standards from the 1923 are “Who’s Sorry, Now?,” by Burt Kalmar, Harry Ruby, and Ted Snyder, and “I Cried For You,” by Arthur Freed, Gus Arnheim, and Abe Lyman. Each of these songs has been performed hundreds of times over the century, by artists like Billie Holiday, Sarah Vaughan, Nat King Cole, and Ray Charles. And most interestingly to me, both songs are about the exact same topic: a person who once got their heart broken, delighting in the fact that the person who broke their heart is now suffering themself.

 

Broadway Songs

Broadway provided several of the big hit songs of 1923. Some well-known Broadway names were still beginning to emerge that year. Oscar Hammerstein scored his first smash this year with the show Wildflower, co-written with Otto Harbach and Vincent Youmans, although the popularity of the songs from that show didn’t extend beyond the 1920s.

Irving Berlin was in the midst of writing an annual revue show for his Music Box Theatre, a venue that he owned at the time (and still exists to this day on Broadway, in fact!). During the run of his Music Box Revue of 1923, Berlin added a love song to the show, called “What’ll I Do,” which later became a hit when it was officially published in 1924. It eventually became an enduring jazz and pop standard.

The Music Box Revue of 1923 was one of many annual revue shows happening on Broadway in the 1920s. Others include The Ziegfeld FolliesThe Earl Carroll Vanities, the Greenwich Village Follies, and George White’s Scandals. Most of these revues produced flash-in-the-pan songs that didn't last beyond the year. However, one song from George White’s Scandals of 1923, the tune “Last Night On The Back Porch” by Carl Schraubstader and Lew Brown, has stuck around over the century, performed by Bing Crosby and the Andrews Sisters.

The biggest hit on Broadway in 1923 was the show Little Jessie James, a musical farce. The music was written by Harlan Thompson and Harry Archer, and one of their songs from that show has lived on, a tuned simply called “I Love You.” Note: this “I Love You,” should not be confused with the later Cole Porter song “I Love You”!


 

The Songs of Bessie Smith and Sophie Tucker

Radio still wasn’t widespread in 1923, but recorded music was really starting to catch on. As I mentioned earlier, Bessie Smith cut her very first records this year, and that fact alone makes 1923 a landmark year in American music history. Although Smith’s recorded output was small, her influence on later generations of jazz, blues, and even rock singers was vast. Some of her songs from 1923, like “Gulf Coast Blues” written by Clarence Willia were recorded by artists like Ella Fitzgerald years later.

Likewise, the song “Nobody Knows You When You’re Down And Out,” introduced by its composer Jimmy Cox on the vaudeville stage in 1923, only really exists today thanks to its association with Bessie Smith. She made a famous recording of it in 1929, which inspired other artists to perform it, including jazz, blues, and R&B singers like Nina Simone, Sam Cooke, Damita Jo and Louis Jordan.

Many of the songs from 1923 have lived on mostly because of their association with some star, like Bessie Smith. But Smith was not the only star from 1923. Another was vaudeville comedienne and singer Sophie Tucker, the so-called “Last Of The Red Hot Mamas.” Tucker, a Russian immigrant, was one of the most popular entertainers of the early 20th century, known for her commanding stage presence and her comic delivery of often riqué songs.

One of Tucker's famous numbers was the 1923 song “You’ve Got To See Mamma Ev’ry Night (Or You Can’t See Mamma At All),” written by songwriters Con Conrad and Billy Rose. This song has gone on to be performed by other famous jazz and pop women, including Kay Starr, Liza Minnelli, and Peggy Lee.

 

The Songs of Isham Jones

One of the most famous bandleaders from 1923 with Isham Jones. It was around this time when he first started to achieve fame, and that fame continued well into the early 1930s. Jones was a saxophonist, but he was also a songwriter, and a successful one at that. Between 1922 and 1925, Isham Jones had written eight songs that topped the pop charts. Two of his big songs from 1923 include “The One I Love Belongs To Somebody Else” and “Swingin’ Down The Lane,” both with lyrics by Gus Kahn“Swingin’ Down The Lane” not only topped the chart for six weeks in 1923, but was also the second most popular song from that calendar year.

Both of these songs have associations with Frank Sinatra. Sinatra recorded “Swingin’ Down The Lane” on his 1956 album Songs For Swingin’ Lovers, arranged by Nelson Riddle. “The One I Love Belongs To Somebody Else” was recorded several times by Sinatra, in fact: the first in 1940 in a recording with the Pied Pipers, and Tommy Dorsey and his Orchestra, which hit number 11 on the charts; the second in 1959 in a much more somber arrangement by Gordon Jenkins (heard above); and the third in 1961 in a tribute album to his former boss Tommy Dorsey. Both the original 1940 version and the 1961 version were arranged by Sy Oliver.

 

“Tin Roof Blues” and Other Tunes

Other songs from the year 1923 include the novelty song “Yes! We Have No Bananas,” first sung by vaudeville star Eddie Cantor. The song was inspired by a Greek fruit stand owner that songwriter Frank Silver once encountered and became one of the best-selling pieces of sheet music. It's been performed by Spike Jones, Louis Prima, and other comically-inclined singers over the century.

One of the more fascinating songs from 1923 is the quintessential New Orleans jazz standard “Tin Roof Blues.” The song was first recorded on March 13, 1923 at Gennett Records in Richmond, Indiana by the New Orleans Rhythm Kings, an influential all-white jazz group.

The song was credited to five of the group’s members, although some historians have noted the similarities between the melody of “Tin Roof Blues” and the earlier song “Jazzin’ Babies Blues,” written by the Black jazz pianist Richard M. Jones.

It wasn’t a hit in 1923. The New Orleans Rhythm Kings were not a pop act. But in the years since, “Tin Roof Blues” has stood the test of time. According to the website Secondhand Songs, “Tin Roof Blues” has been covered more times than any other song from that calendar year. The melody was even the basis of the song “Make Love To Me,” a number one pop single for singer Jo Stafford in 1954. 

Although it's mostly known as an instrumental, lyrics do exist. Here's an instrumental AND vocal version, from 195x and 1966, respectively, both from Louis Armstrong.


 

Music Heard On This Episode

ArtistTitleAlbumBuy
Oscar PetersonMoonglow [Excerpt]Pastel MoodsBuy on Amazon
Frank Sinatra, with Tommy Dorsey and His OrchestraThe One I Love Belongs To Somebody ElseThe Essential Frank Sinatra with the Tommy Dorsey OrchestraBuy on Amazon
Frank SinatraThe One I Love Belongs To Somebody Else [Excerpt]I Remember TommyBuy on Amazon
Frank SinatraThe One I Love Belongs To Somebody Else [Excerpt]No One CaresBuy on Amazon
Paul Whiteman and His OrchestraCharleston [Excerpt]The Famous Paul Whiteman "Jazz A La King" (1920-1936)Buy on Amazon
Louis PrimaCharlestonBeepin' & Boppin'Buy on Amazon
Louis PrimaYes! We Have No BananasBeepin' & Boppin'Buy on Amazon
Ella FitzgeraldWho's Sorry Now?The Intimate EllaBuy on Amazon
Carmen McRaeI Cried For You (Now It's Your Turn To Cry Over Me)Carmen McRae Sings Lover Man and Other Billie Holiday ClassicsBuy on Amazon
Nat King ColeWhat'll I Do?The Complete Capitol Recordings of The King Cole TrioBuy on Amazon
Billy EckstineI Love YouOnce More With FeelingBuy on Amazon
Jelly Roll MortonKing Porter Stomp [Excerpt]Jazz: The Smithsonian AnthologyBuy on Amazon
Benny Goodman and His OrchestraKing Porter Stomp [Excerpt]The Best Of Ken Burns JazzBuy on Amazon
Bessie SmithAggravatin' Papa [Excerpt]The Complete Recordings, Vol. 1Buy on Amazon
Ella Fitzgerald and Her Famous OrchestraGulf Coast BluesThe Early Years, Part 2 (1939-1941)Buy on Amazon
Damita JoNobody Knows You When You're Down And OutThe Very Best of Damita JoBuy on Amazon
Peggy LeeYou�ve Got To See Mamma Ev�ry Night (Or You Can�t See Mamma At All)Black Coffee And Other Delights: The Decca AnthologyBuy on Amazon
Samara JoyLinger AwhileLinger AwhileBuy on Amazon
Frank SinatraSwingin' Down The LaneSongs For Swingin' LoversBuy on Amazon
Bing CrosbyLast Night On The Back PorchBing With A BeatBuy on Amazon
Louis ArmstrongTin Roof BluesThe Essential Louis ArmstrongBuy on Amazon
King Oliver's Creole Jazz BandTears [Excerpt]Portrait Of The Artist As A Young Man (1923-1934)Buy on Amazon
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