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Harmonia Early Music

Queen Christina of Sweden

One of the 17th Century’s most famous women—her life, arts patronage, and historic accomplishments are explored as well as music associated with her court.

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Queen Christina

Photo: Wikipedia

An anonymous painting of Queen Christina of Sweden.

Time capsule for this episode: Arts Patronage in Rome

An extraordinary childhood

On Christmas Day, 1655, a special event took place in Rome. Pope Alexander VII gave communion to a newly arrived Queen Christina of Sweden and officially welcomed her to the city where she would live for the rest of her life. Up to that point, the Queen had gone through a lot in the span of her life, just shy of thirty years old.

Under an exceptional privilege, she was brought up and educated as a prince (by order of her father, Gustavus Adolphus), she was officially crowned “king” as a result (though she was referred to as “queen”), and she eventually cast aside her Lutheran religion in favor of Catholicism and ultimately abdicated her throne.

All of this can attributed to her having had an excellent education, immense intellect, and a questioning nature, among many qualities.

Luigi Rossi: “Un ferito cavaliero,” [“per Gustavo Adolpho, Re di Svetia, morto in Guerra”]
Suzie Leblanc, soprano, and Tragicomedia/Stephen Stubbs — Amor Roma: Roman Cantatas c. 1640 (Challenge, 2003)
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The first public opera house in Rome

Following her settling in Rome, Queen Christina became one of the most distinguished cultural patrons of the period. She continued to employ musicians as she had done before her abdication and conversion, and went on to establish at least two significant organizations.

The first was the founding of an academy where leading artistic and scholarly figures met. Later known as the Arcadian Academy, music was an important part of every meeting. In fact, each one ended with a performance.

The second organization was less private than the academy. In 1671, she opened the first public opera house in Rome. Francesco Cavalli’s Scipione Affricano was the inaugural opera.

Vincenzo Albrici: Sinfonia
Susanne Ryden and Stockholm Baroque Ensemble — Music from the Court of Queen Christina of Sweden (Phantom Sound & Vision, 2004)
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A love of music and musicians

The queen employed a number of the finest Italian composers, many of which history agrees with her. In Rome, her direct musical patronage was enjoyed by Giacomo Carissimi, Alessandro Scarlatti, Arcangelo Corelli, and Bernardo Pasquini—all prominent in their day. You might imagine that she loved Baroque music more than anything else.

However, it is recorded that she also loved the madrigals of Italian Renaissance composer Carlo Gesualdo. Queen Christina would have no doubt been very familiar with his last two books of madrigals.

Carlo Gesualdo: “Gioite voi col canto,” “Felicissimo sono,” “Mercè grido piangendo,” and “Correte, amanti, a prova”
La Venexiana/Claudio Cavina — Quinto Libro dei Madrigali (1611) (Glossa, 2005)
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Featured Release: Arcangelo Corelli

Our featured release continues with the music surrounding Queen Christina of Sweden.

For his very first publication (opus 1), Arcangelo Corelli dedicated a set of twelve Church sonatas for two violins and basso continuo to Queen Christina. By 1681, the year of their publication, Corelli had been in her employ for around three years as a chamber musician, which included duties as a composer.

The Queen was one of the most important patrons during his life.

The distinguished chamber ensemble London Baroque performs excerpts from their 1991 recording of Corelli’s complete op. 1 trio sonatas on the Harmonia Mundi label.

Arcangelo Corelli: Sonata in F major, no. 1, I-IV
London Baroque — Church Sonatas Op. 1 & 3 (Harmonia Mundi, 1991)
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Luigi Rossi: “Un ferito cavaliero,” [“per Gustavo Adolpho, Re di Svetia, morto in Guerra”]
Suzie Leblanc, soprano, and Tragicomedia/Stephen Stubbs — Amor Roma: Roman Cantatas c. 1640 (Challenge, 2003)
Buy from Amazon »
album cover
Vincenzo Albrici: Sinfonia
Susanne Ryden and Stockholm Baroque Ensemble — Music from the Court of Queen Christina of Sweden (Phantom Sound & Vision, 2004)
Buy from Amazon »
album cover
Marc Antonio Pasqualini: “Si bel volto”
Susanne Ryden and Stockholm Baroque Ensemble — Music from the Court of Queen Christina of Sweden (Phantom Sound & Vision, 2004)
Buy from Amazon »
album cover
Carlo Gesualdo: “Gioite voi col canto,” “Felicissimo sono,” “Mercè grido piangendo,” and “Correte, amanti, a prova”
La Venexiana/Claudio Cavina — Quinto Libro dei Madrigali (1611) (Glossa, 2005)
Buy from Amazon »
album cover
Arcangelo Corelli: Sonata in F major, no. 1, I-IV
London Baroque — Church Sonatas Op. 1 & 3 (Harmonia Mundi, 1991)
Buy from Amazon »
album cover
Arcangelo Corelli: Sonata in B-flat major, no. 5, I-III
London Baroque — Church Sonatas Op. 1 & 3 (Harmonia Mundi, 1991)
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Bernard Gordillo

Bernard Gordillo was born in Managua, Nicaragua, and raised in New Orleans. He holds degrees from Centenary College of Louisiana, the Early Music Institute at Indiana University, and the Guildhall School of Music and Drama (London). Bernard also writes and hosts the Harmonia Early Music Podcast.

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