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It was Will Vawter's introduction in 1893 to poet James Whitcomb Riley that would put Vawter’s art in the public eye.
In the spring of 1908, Selma Steele began planting gardens—a passion that would become her own artistic contribution to the House of the Singing Winds.
When T.C. Steele and colleagues returned to Indiana in the mid-1880’s after studying at Munich’s Royal Academy of Painting, their canvases evinced the tonal realism they’d absorbed there.