Celebrate the holiday season with Nativity music from the late Renaissance in Europe, performed by the musicians of the Historical Performance Institute.
Thomas Tallis brings us a 40-voice motet, and a new generation of period performers plays music for an unusual combination of instruments, and more.
We’re spending time with composers who played and wrote for bass instruments, and we’ll explore music for three violins and hear chant from the Thomas Gradual.
Music from a composer called the "Father of Musick."
We’re solving an antiphon mystery: Why are there so many pieces titled “In nomine”? We’ll find out why, as well as explore the origins of the sackbut.
Piffaro debuts the recording "Waytes," Instrumenta Musica performs 17th-century Venetian wind music, and Florilegium explores the Bolivian Baroque.
Claudio Monteverdi’s collection of sacred music, "Selva morale e spirituale," will be explored with performances by Cantus Cölln and Concerto Palatino.