I feel compelled to begin this review with full disclosure. I missed some of "The Day The Earth Stood Still," because I was snoring. No, really - sorry, guy on my left.
Martin Scorcese’s direction on his new movie, a Rolling Stones concert filmed in large format Imax, is largely utilitarian. It’s all he can do to keep up. He turns this into a running gag; in the opening of Shine a Light , we see Scorcese flummoxed at the lack of communication from the band that […]