The IU Theatre and Drama Departments production of Stephen Sondheim and Hugh Wheelers dark melodrama Sweeney Todd drew gasps, laughs and a near standing ovation at Saturday afternoons performance in the experimental Wells-Metz Theatre.
Director and choreographer George Pinneys work ranged, masterfully, from the tenderness of some of the more intimate moments to the wildly choreographed crowd scenes. There was liberal help from Robert Shakespeares lighting, working with the drama and the opportunities of the set by Keith Rose.
The story of Sweeney Todd: the Demon Barber of Fleet Street is in the tradition of the penny dreadfulls, the nineteenth centurys version of films like The Texas Chainsaw Massacre. Sondheim and Wheelers work focuses a bit more on love than some earlier versions, but there is still plenty of violence, blood and gore all firmly based on a foundation of crazed vengeance realized through cannibalism and capitalism.
The IU production features a nice mix of singer-actors from the Music School, the Theatre Department, and the Individualized Major in Musical Theatre program. Heath Calvert was a commanding figure as the saddened and then maddened barber. Coryell Barlow was both sympathetic and downright funny as Mrs. Lovett, the barbers partner in pies. Neil Darling cut a fine figure as the barbers bogus Italian competitor, Signor Pirelli. Zach Frank was effective first as Pirellis shill and then as Mrs. Lovetts assistant. Colin Donnell as the fresh young sailor and Sheila Murphy as his beloved made a fetching pair. Todd Wieczorek was the picture of dignity as the evil Judge Turpin. Daniel Williams was an adept henchman as the Beadle.
Congratulations are in order for Sweeney Toddsmusic directors Christine Howlett and James Kallembach for the preparation of the cast. Diction throughout, even in characters with heavy accents, was exemplary. The synchronization of the under stage orchestra was uncanny. During the whole show Sondheims orchestration meshed with the vocal lines and the balances were between stage and literal pit were remarkably good. Musically there were three or four numbers where cuts would have made more of less. There were also a few places in which actors were a bit stretched by tempos that might have profitably been accelerated a bit.
The costumes by Linda Pisano were visual keys to the drama, from the elegance of the Judge, the formality of the Beadle and the cheap flash of Signor Pirelli, the simplicity of Sweeney and Mrs. Lovett on down through the rest of the cast to the filthy rags of the mad beggar woman.
The IU Theatres exciting and dramatically involving, production of Sondheim and Wheelers Sweeney Todd in the Wells-Metz Theatre plays through Saturday. There are still tickets, but only a few, and only those with preferred seating tickets will be on the main floor.