The walk from the parking lot to the IU Auditorium last night was bitter cold, but inside the cast of Fosse, a hot group of two dozen dancer/singers and a nine-piece orchestra, met with a warmly appreciative and varied crowd.
Fosse is a collection of scenes and musical numbers that span the long career of innovative choreographer and director Bob Fosse. The show is in dramatic and not historical order, but it does cover his long career. The scenes range from the Steam Heat scene of Pajama Game in 1954 through Hey Big Spender from Sweet Charity in 1966, to Mein Herr from Cabaret in 1972, to Razzle Dazzle from Chicago in 1975, and finally to Life is Just a Bowl of Cherries from Fosses last work, Big Deal in 1986.
Part of the pleasure in watching the young, talented cast at the IU Auditorium, was seeing the variety of shapes, sized and even styles on display. Theres plenty of athleticism in the group and the company for Fosse can come together with precision when it has to, but theres a general feeling of looseness and even independence that worked well in many of the numbers.
Bob Fosses signature elements, the slick, fluid moves, the sharp isolations, the aggressive attitude even the hunched shoulders and the pushed pelviss were very much on display in the show. Although it is deeply grounded in a strong ballet technique and acrobatic ability, Fosses choreography sometimes thumbs its nose at the traditions. Fosse at the Auditorium certainly showed that his dances dont lack atmosphere and their own grace, but they are frequently funnier a little rougher and a bit bawdier than much of Broadway. The concentrated dose of Bob Fosses choreography helped me to appreciate just how much I take his work for granted. It has become such a part of the fabric of American Musical Theatre.
Fosse is on stage at the IU Auditorium for one more performance, tonight at eight oclock.