In 1953 a young entrepreneur started a magazine that would help bring about the sexual revolution in America—and he was also a passionate jazz fan who used that magazine to help promote the music he loved.
Night Lights pays tribute to the holidays in the mellowest of moods.
Working for decades as a broadcaster for the Voice of America, Conover was perhaps the most influential and widely-heard jazz DJ of the 20th century. He brought the music into eastern Europe and other areas of the world where jazz was either repressed or commercially unavailable.
Six albums as a leader. Sideman appearances with John Coltrane, Bud Powell, and Jimmy Smith. The story of trombonist Curtis Fuller's first year on record.
In the 1950s and 60s the Dave Brubeck Quartet became one of the most popular jazz acts in the world--one of the reasons why the group ended up doing a State Department tour in 1958 at the height of the Cold War that took them to countries such as India, Poland, and Iraq.
Louis Armstrong was a legendary innovative trumpeter, a vocalist who had a profound impact on jazz singing, and a dynamic entertainer--and he got a chance to showcase all these aspects of his talent in 28 full-length films and several short features in which he appeared between 1931 and 1969.
In 1969 the 26-year-old German musician Manfred Eicher began what would become one of the world’s longest-running and most influential jazz labels, with a signature production approach that emphasized space and a roster of artists that included Keith Jarrett, Paul Motian, Chick Corea, and Gary Burton.
Alto saxophonist Charles McPherson spent much of his early career under the spell of jazz great Charlie Parker--but he fired the Parker sound with his own intense energy and expressive skills.
Ashby turned the harp into a swinging and dynamic instrument for jazz.
Pannonica de Koenigswarter, aka Nica or “The Jazz Baroness,” was a friend to Thelonious Monk and other jazz artists and inspired a slew of musical tributes.
Pianist Hazel Scott was a prodigy who rose to fame in the 1940s, swinging classical compositions, appearing in Hollywood movies, and becoming the first African-American to host a TV show.
In the final months of their lives, jazz artists have sometimes made recordings of great power and poignancy. This edition of Night Lights features music from Bill Evans, Miles Davis, Billie Holiday, Clifford Brown, Stan Getz and more.
The first of a two-part centennial tribute to a musician who helped broaden the sound of modern jazz.
Jazz historian Steven Isoardi joins us for the story of how pianist Horace Tapscott turned down a chance to have a high-profile career and instead became a community-arts activist and leader in late-20th-century Los Angeles.
Bee Hive annotator Aaron Cohen joins us to discuss the legacy of a 1970s/early 80s Chicago record label that spotlighted veteran bebop and hardbop artists.
In 1957 tenor saxophonist Sonny Rollins was at the peak of his first great period, playing with a confident, swinging, and radical abandon both as a leader and with Max Roach and Miles Davis.
We think of Charlie Parker as a small-group bebop saxophonist, but he came out of the swing era. What did he sound like in a big-band setting?
The swing era may have been the age of the big bands, but bandleaders often found it worth their while to break small groups out of their larger orchestras.
In the last decade of his life Art Blakey continued to mentor new talent in his Jazz Messengers group, helping to elevate musicians such as Wynton and Branford Marsalis, Terence Blanchard, and Mulgrew Miller.
Christian laid the foundation for the guitar as a significant modern-jazz instrument, creating single-note lines and solos that swung with imagination and vitality.
In the 1960s a beacon of West Coast jazz became a destination for hardbop and soul-jazz acts.
Juneteenth, the African-American holiday celebrating the end of slavery, has a long tradition of food, games, music and prayer. Our jazz tribute includes musical tributes to freedom from Duke Ellington, Max Roach, Carmen McRae, and John Coltrane, as well as Louis Jordan's homage to the holiday itself, and some odes to African-American athletes.
The music that bandleader Woody Herman recorded in the 1940s and early 50s for several labels, including his own Mars imprint, has been unavailable for decades. Now a recent set from Mosaic Records gives us a chance to hear some lesser-known editions of the clarinetist’s mid-20th century ensembles.
As the 1960s began Miles Davis entered a period of transition, first trying to find a saxophonist to replace John Coltrane and then a new rhythm section.
Five decades after Wes Montgomery's death in 1968, newly-discovered live recordings continue to emerge.
Ornette Coleman's music shook up a generation of jazz artists, but some of them almost immediately began to play it.
Alto saxophonist Lee Konitz, who died on April 15, 2020 at age 92, was a longtime master of melodic improvisation who played a part in some of jazz's most momentous acts--the Claude Thornhill big band and the Miles Davis Birth of the Cool nonet in the late 1940s, and the Lennie Tristano groups of the 1950s and early 1960s.
In the 1940s the young singer Anita O’Day became a sensation on the big-band scene, performing one of jazz’s first racially-integrated duets and courting what would become a lifelong reputation as an independent spirit
"The great chain of witnesses": a poem by Betsy Sholl in the new issue of Brilliant Corners drew its inspiration in part from a Night Lights show.
In the 1960s Herbie Hancock seemed to be everywhere on the jazz scene, recording both as a leader for Blue Note and as a sideman with Miles Davis and others.
Babs Gonzales was the toastmaster of the bebop world, a vocalese hipster who made the scene and lived to sing and write about it.
In 1957 singer Ella Fitzgerald recorded close to one hundred tracks as her career continued to soar in the wake of signing with Norman Granz’s Verve label.
In 1952 Billie Holiday began her last great period on record with a series of small-group sessions that capture the twilight glow of a jazz star.
A decade that saw female artists making further inroads into the male-dominated world of jazz.
Keep it cool: jazz historian Ted Gioia joins us for the music and meaning of Lester Young, Charlie Parker, Bix Beiderbecke, Miles Davis and more.
Explore some of the notable musicians who emerged from the 20th century Detroit jazz scene.
From the 1960s on, Detroit continued to produce a stream of superlative jazz artists, even as the jazz scene in other major cities began to fade. Mark Stryker, author of JAZZ FROM DETROIT, joins us again to discuss how Detroit's jazz culture stayed alive.
It’s a city known for the automobile industry and the soul-pop legacy of Motown Records, but Detroit is also a great jazz capital.
How singer and pianist Nat King Cole pushed the boundaries of 1950s segregated culture through its hottest medium.
A wartime concert, a Carnegie Hall debut, an epic work celebrating black history: the story of Duke Ellington's most ambitious work.
Jimmy Heath was off the jazz scene for much of the 1950s, but he returned to make a string of albums that cemented his reputation as a composer and a player.
America in the 1920s: Wall Street was on the rise, cops were on the take, jazz was in the air, and alcohol had been banished—but it certainly hadn’t vanished.
Exploring the musical history of the "pianist of his own genre" depicted in the movie GREEN BOOK.