Jazz fans are known for their religious-like zeal, but in the 1960s jazz sometimes became a PART of religion, providing the soundtrack for masses and other church ceremonies.
Come along for a jazz sleigh ride this week on Night Lights, with music from Shirley Horn, Paul Bley, Duke Ellington, Wes Montgomery, and more.
In 1929 two future jazz piano greats were born thousands of miles but just days apart. Both would go on to develop their art under the influence of Bud Powell.
In 1969 the 26-year-old German musician Manfred Eicher began what would become one of the world’s longest-running and most influential jazz labels, with a signature production approach that emphasized space and a roster of artists that included Keith Jarrett, Paul Motian, Chick Corea, and Gary Burton.
Sauter's innovative and challenging arrangements gave the big-band sound an artistic sophistication that anticipated the rise of the Third Stream.
Hoagy Carmichael was already a successful songwriter when he moved to Hollywood in 1936, but it was the movies that made him a familiar face to millions,
At the end of 1967 one of the most popular groups in jazz, the Dave Brubeck Quartet, disbanded. What did its star alto saxophonist Paul Desmond do next? Desmond biographer Doug Ramsey joins us to discuss the musician's last decade.
At the end of 1965 pianist McCoy Tyner left John Coltrane’s group and struck out on his own, eventually recording a series of albums for the Blue Note label that began the extension of his jazz legacy beyond the Coltrane quartet.
Tom Wilson produced rock albums by Bob Dylan, Simon and Garfunkel, and the Velvet Underground that were some of the most influential records of the 1960s, but he got his start in the 1950s running his own adventurous jazz label, recording artists such as John Coltrane, Donald Byrd, Cecil Taylor, and Sun Ra.
Pittsburgh has produced many great jazz artists, and at the beginning of the 1960s two of them teamed up to make a notable series of albums for the Blue Note label.
Exploring the life and compositions of "the architect of bop."
The great bebop pianist on the radio and in concert with Cootie Williams, Charlie Parker, Dizzy Gillespie, and as the leader of his own trio.
David Baker, one of the world's most renowned jazz educators, passed away March 26. In this archived show he joined us for a look at his compositional legacy.
Throughout the 1950s jazz promoter George Wein ran a Boston nightclub that showcased some of the music’s most notable performers.
He came from Memphis—a pianist who quietly built a reputation over decades as a first-class soloist, accompanist, and writer, carrying musically impeccable credentials from the golden age of hardbop.
In the 1950s and 60s the race for space loomed large in the cultural imagination, and jazz artists such as Duke Ellington and Sun Ra picked up on the theme.
French culture in the postwar years was strongly influenced by both jazz and the growing American genre of film noir.
"Serious jazz musicians are into their music like it's a religion," says Sisto.
Lalo Schifrin is best known for his “Mission: Impossible” theme and numerous other film scores, but the pianist and composer first emerged from mid-20th century Argentina as a jazz artist, working with Dizzy Gillespie and recording under his own name as well.
As the 1960s neared to a close, the jazz world continued to absorb the cultural upheavals of a volatile decade.
Jazzing Broadway songs, scoring movies, conducting classical music: Andre Previn could do it all before he'd even turned 30.
Pianist Lennie Tristano was a singular and charismatic modernist and mentor whose methods helped point the way for the rise of jazz education.
A career-spanning musical tribute from WFIU's afternoon jazz program "Just You And Me."
Jazz critic Nate Chinen talks about his recent book "Playing Changes: Jazz For The New Century," and we hear music from some of the artists discussed as well.
Some Night Lights recommendations for reading about one of jazz's greatest figures, as well as some programs featuring his music.
As television rocketed into the entertainment culture of mid-20th-century America, musicians and composers, many of them with jazz backgrounds, were called upon to write themes and cues for the wide variety of programs that populated the airwaves.
Chronicling a West Coast record label of the 1940s.
Before he became a world-renowned saxophonist, Michael Brecker attended Indiana University for a year and a half in the late 1960s. We'll hear some Brecker recordings from that period as well as commentary from jazz scholar David Demsey, who is organizing the archive of Brecker materials that was given to William Paterson University after Brecker's death in 2007.
From Lee Morgan's "The Sidewinder" to John Coltrane's A LOVE SUPREME, from the impact of the Beatles to the avant-garde's October revolution, a notable year.
The singing icon was also a master pianist whose rhythms and harmonic language made him an influential jazz modernist.
An interview with Rachel Berenson Perry about her new study of an often-overlooked painter.
The future king of Pop Art and the maestro of American jazz: a fleeting and lighthearted intersection of their work on a summer 1955 TV variety program.
Often described by his peers as a "saint," Dolphy was a multi-instrumentalist and musical seeker whose legacy rests on recordings made in the last four years of his life.