If I had to fix a flat tire or die, I’d have to choose death. — John Waters
John Waters has been living up to his reputation as the “Pope of Trash,” the “Prince of Puke” and the “King of Bad Taste,” titles he earned for his early cult films—Pink Flamingos (1972), most notoriously, which depicts the “filthiest people alive.”
The 69-year-old filmmaker has parlayed his underground filmmaking career into a successful Hollywood tenure, making hits like Hairspray, Crybaby, and Serial Mom, without sacrificing his colorful style or subversive humor.
Among other pursuits such as visual art and fashion, Waters has forged a successful publishing career. His 2011 bestseller, Role Models, is a paean to his personal heroes, which range from Baltimore street-life legends to high-profile felon Leslie van Houten (of Manson family fame) to pop vocalist Johnny Mathis.
To stay gritty in the face of advancing age and mainstream respectability, Waters thumbed his way across the country for a series of roadside misadventures. His coast-to-coast hitchhiking trip was the research component for his 2015 bestseller, Carsick, which is part-travelogue and part-tall tale about his interstate lark.
The Film Society at Lincoln Center recently honored Waters with a career retrospective titled “Fifty Years of John Waters: How Much Can You Take?”
On October 2, 2015, Waters appeared in a one-man show at the IU Cinema called “This Filthy World: Filthier & Dirtier.” The vaudeville-style act focused on his early negative artistic influences and his fascination with true crime, exploitation films, fashion lunacy, and the extremes of sexual politics.
In this interview, he spoke WFIU’s Betsy Shepherd about his movies, books, and such topics as sadistic nuns, dangerous drag queens, Divine’s nerdy side, LSD, Maybelline cosmetics, the Dreamlanders, the Manson family, Little Richard, gay marriage, William Castle, Edith Massey’s teeth, the Legion of Decency’s list of Condemned Movies, Patty Hearst and the Symbionese Liberation Army, poppers, pot dealers, bad smells, the Cramps, and the death penalty.
Thanks to the Indiana University Cinema for assistance.
Songs heard in the program:
- “Ramrod” by Duane Eddy
- “I’m the Wolfman” by Round Robbin
- “Cult Song” by Shannon and the Clams
- “Lucille” by Little Richard
- “Laugh Myself to the Grave” by Satan’s Breed
- “Meanwhile at the Hideout” by John Wilkes Booze
- “Blues Theme” by Davie Allan and the Arrows
- “The Giggler” by Pat and the Wildcats
- “Flying Saucer” by Buchanan and Goodman
- “Western Movies” by the Olympics