Night Lights is a weekly one-hour radio program of classic jazz hosted by David Brent Johnson and produced by WFIU Public Radio. Night Lights airs on WFIU HD1 Saturday at 11:05 p.m.
Although an admirer of Jimmy Smith, Shirley Scott found her own sound on the Hammond B-3 and became its most renowned female practioner, recording a number of soul-jazz classics from the late 1950s onward.
This week on Night Lights we pay tribute to the pianist and singer who passed away in 2007 at the age of 94. A product of the thriving mid-20th century Central Avenue Los Angeles scene, in the late 1940s Lutcher scored a series of hits such as “Hurry On Down” and “Fine Brown Frame” that blended jazz, pop, blues and R & B in a way that made her one of the era’s first crossover stars.
Carla Bley is renowned today for her big-band writing and its wide-ranging use of musical and emotional elements, but it was small-group recordings of her work in the 1960s by musicians such as Jimmy Giuffre, Gary Burton, George Russell, and her husband Paul Bley that introduced her to the jazz world. In her teens Bley abandoned home, religion, and school, eventually making her way to New York City, where she worked as a hatcheck and cigarette girl in jazz clubs such as Basin Street and Birdland.
Nellie Lutcher, a star pianist and singer of the late 1940s who mixed boogie and swing riffs on the keyboards with sly and humorously suggestive lyrics, once remarked that it was 1930s performer Cleo Brown who’d “sort of started a trend for girl piano players and vocalists” with her recording of the song “It’s a Heavenly Thing.” There had been an even earlier, blues-oriented practitioner of the style, Kansas City’s Julia Lee…
Last week JazzWax blogger Marc Myers mentioned getting an e-mail from Hannah Rothschild, producer of the BBC documentary about jazz patron Pannonica de Koenigswarter, aka Nica, that I recently posted about. Turns out that she’s making a television documentary about Pannonica as well–and there’s now a website devoted to the Baroness which includes the BBC radio program in non-expiration form…
A couple of weeks ago Bernard Gordillo, who writes the WFIU early-music show Harmonia, mentioned a recent interest in Pannonica de Koenigswarter, also known as Nica, the Jazz Baroness, or simply the Baroness. The Baroness was a sort of jazz patron, a woman well-liked by the jazz musicians she befriended on the mid-20th-century New York bebop scene; she counted Charlie Parker and Thelonious Monk among her closest companions from that community. As a wealthy white woman spending time…
Dick and Kiz Harp were a husband-and-wife, piano-and-vocals duo who ran their own nightclub (converted from a warehouse and called “The 90th Floor,” after a lesser-known Cole Porter song they performed) in Dallas, Texas at the end of the 1950s. They’ve developed a cult following among jazz-vocal aficionados …
Several days ago I got a very nice e-mail from the person who runs All Things Emily, a fantastically-detailed site devoted to the late guitarist Emily Remler. She had happened upon the March 2007 Night Lights show “Emily Remler: a Musical Remembrance”, which included an interview with Remler friend and sometime musical associate Robert Jospe. Some clips…
“Betty Roche was an unforgettable singer,” Duke Ellington wrote of his former vocalist in 1973. “She never sounded like anybody but Betty Roche.” Roche, the so-called “blues specialist” whom some consider to be one of the best vocalists Ellington ever…
Emily Remler was a rising-star jazz guitarist in the 1980s whose style, influenced by Wes Montgomery, fused hard swing and lyricism with Brazilian and other forms of music, making her one of the most compelling newcomers around. Remler did not let…
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