The notion of hip has been at the heart of American counterculture since the 1940s, and it’s often included jazz as part of its soundtrack.
Writers responding to jazz and the musicians who make it.
Indiana University Jacobs School of Music professor Phil Ford, heard recently on our Night Lights program Jazz and Jack Kerouac, will be giving a talk this Friday (Oct. 19) on private acetate recordings that Kerouac, John Clellon Holmes, and Allen Ginsberg made in the late 1940s and early 1950s. I’ve had occasion to hear a brief bit of one of the acetates, which featured Keroauc, Holmes, and Seymour Wise doing scat/bop vocalese accompaniment…
On the Road, like many of Kerouac's other writings, celebrated and invoked the music of Charlie Parker, Lester Young, and many other jazz greats.
Ring in 2016 with poets, jazz masters, and standup comics.
On this edition of Night Lights it’s “Word From Mingus,” a program of Charles Mingus’ 1950s spoken-word collaborations with poet Langston Hughes, monologuist Jean Shepherd, and actor Melvin Stewart. We’ll also hear Mingus’ own performance of his piece “Chill of Death,” written when Mingus was…