More of the full-length Night Lights interview with historian Michael McGerr about extended jazz works that depict the history of black America.
Historian Michael McGerr discusses Ellington's musical portrayals of the African-American experience.
America in the 1920s: Wall Street was on the rise, cops were on the take, jazz was in the air, and alcohol had been banished—but it certainly hadn’t vanished.
Jazz writer Dan Morgenstern and historian Michael McGerr join us to talk Louis Armstrong and bebop, pop ballads, the Cold War and more.
Duke Ellington, Oliver Nelson, John Carter, and Wynton Marsalis all undertook a weighty artistic task--to represent the history of African-Americans in music.
Cafe Society was New York City's first integrated nightclub and a cultural flashpoint for artists, jazz musicians, intellectuals, and activists of the 1940s.
The Beatles’ explosive arrival on the American music scene in 1964 shook up the jazz world just as much as it did the rest of America—perhaps even more so.
Ellington kept his orchestra together in a changing economic landscape, continuing to create memorable music and expanding his compositional horizons.
We'll hear music from Louis Jordan, Kitty Kallen with Jimmy Dorsey, Sam Donahue's Navy band, and much more.
In honor of the holiday weekend, we're posting both parts of last year's "American Popular Song and World War II".