In the late 1950s Thelonious Monk’s star finally began to rise. But even as the pianist hit artistic and commercial peaks, other problems began to set in.
Sonny Clark was a young pianist with an already-impressive jazz legacy when he began a year-long string of classic hardbop recordings that ended with his death.
Thelonious Monk was 'the high priest of bebop,' a family man, a bohemian icon, and one of the most significant composers of modern jazz.
His music is loved by millions of people around the world—forever associated with the TV version of a popular comic strip. Who was the man behind that music?
Pianist Art Tatum's speed and harmonic imagination often left other musicians astonished, inspired, or in despair. Here are some who dared to keep up with him.
Bill Evans is one of the most influential pianists in jazz history, renowned for his lyrically seductive style. His early recordings reveal a different sound.
In the summer of 1961 Bill Evans hit a new creative peak with his trio. Then the trio's gifted bassist, Scott LaFaro, died in a car wreck. What happened next?
This week on Night Lights we pay tribute to the pianist and singer who passed away in 2007 at the age of 94. A product of the thriving mid-20th century Central Avenue Los Angeles scene, in the late 1940s Lutcher scored a series of hits such as “Hurry On Down” and “Fine Brown Frame” that blended jazz, pop, blues and R & B in a way that made her one of the era’s first crossover stars.
A few months ago Mosaic Records confirmed a forthcoming Ahmad Jamal box-set, covering the pianist’s trio recordings from the late 1950s and early 1960s, currently projected for a March or April 2009 release. Some more details have emerged now on the box’s contents (supposedly 9 CDs). It will contain the following Argo and Chess-label albums:
Richard Twardzik, the rather haunted-looking pianist who was a mainstay of the Boston jazz scene in the early 1950s, recorded only once as a leader before dying at the age of 24 during a European tour with Chet Baker. His quirky, fluid style, influenced by Bud Powell and Art Tatum and sprinkled with touches of dissonance and classical music, has led some to compare him to fellow 1950s iconoclasts Thelonious Monk and Herbie Nichols. Now Bouncin’ With Bartok, a long-awaited study of pianist’s life and recordings written by Jack Chambers…