Night Lights is a weekly one-hour radio program of classic jazz hosted by David Brent Johnson and produced by WFIU Public Radio. Night Lights airs on WFIU HD1 Saturday at 11:05 p.m.
Sonny Clark was a young pianist with an already-impressive jazz legacy when he began a year-long string of classic hardbop recordings that ended suddenly with his death at the age of 31.
Pianist Art Tatum’s speed and harmonic imagination often left other musicians astonished, inspired, or in despair. By way of a centennial tribute, here are some who managed to keep up with him, including Benny Carter, Ben Webster, and Roy Eldridge.
Bill Evans is one of the most influential pianists in jazz history, renowned for his lyrically seductive style. But at the beginning of his career he had a different sound, full of rhythmic drive and the bop influences of his early role models. “Very Early: Bill Evans 1956-58″ features his recordings with George Russell, Charles Mingus and more.
After jazz journalist Gene Lees heard Bill Evans for the first time, he told the pianist that his recordings “sounded like love letters written to the world from some prison of the heart.” Lees was just one of many to feel such an emotional connection with Evans’ playing, which inspired a cult-like following that continues to this day. The group that he formed in 1959 with bassist Scott LaFaro and drummer Paul Motian helped set the template for the modern jazz trio, and the albums they made–particularly the live Waltz for Debby and Sunday at the Village Vanguard–have become jazz classics. But this group came to an abrupt end shortly after those albums were recorded, when…
This week on Night Lights we pay tribute to the pianist and singer who passed away in 2007 at the age of 94. A product of the thriving mid-20th century Central Avenue Los Angeles scene, in the late 1940s Lutcher scored a series of hits such as “Hurry On Down” and “Fine Brown Frame” that blended jazz, pop, blues and R & B in a way that made her one of the era’s first crossover stars.
A few months ago Mosaic Records confirmed a forthcoming Ahmad Jamal box-set, covering the pianist’s trio recordings from the late 1950s and early 1960s, currently projected for a March or April 2009 release. Some more details have emerged now on the box’s contents (supposedly 9 CDs). It will contain the following Argo and Chess-label albums:
Richard Twardzik, the rather haunted-looking pianist who was a mainstay of the Boston jazz scene in the early 1950s, recorded only once as a leader before dying at the age of 24 during a European tour with Chet Baker. His quirky, fluid style, influenced by Bud Powell and Art Tatum and sprinkled with touches of dissonance and classical music, has led some to compare him to fellow 1950s iconoclasts Thelonious Monk and Herbie Nichols. Now Bouncin’ With Bartok, a long-awaited study of pianist’s life and recordings written by Jack Chambers…
Jazz pianist Ronnie Mathews has passed away at the age of 72 after a battle with pancreatic cancer. Matthews had been the subject of an all-star benefit and tribute just last week at Sweet Rhythm in New York City. If you’ve spent any time listening to 1960s, 70s and 80s hardbop, there’s a good chance that you’ve heard Ronnie Matthews on the keyboards at some point–Dexter Gordon’s live 1976 opus Homecoming, for example, or…
Pianist Billy Taylor’s website has posted audio of a half-hour set at Boston’s Storyville club in 1951, featuring Charles Mingus on bass and Marquis Foster on drums, with Nat Hentoff doing between-song stage announcements. The sound is crystal-clear by 1951 radio-broadcast standards, with…
Organissimo poster Bluerein reports that Mosaic Records will issue an Oscar Peterson Verve trio set later this year. The set will contain Peterson’s trio recordings made between 1951 and 1953 with Barney Kessel on guitar–no word yet on how many CDs it will contain. Other forthcoming sets this year…
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