Jazz criticism first emerged in the 1930s and has played a role not only in how the music's been heard, but sometimes in the way it's been made.
Jazz historian Richard Sudhalter passed away last year at the age of 69, having spent the last several years of his life fighting significant health challenges. This Monday evening there will be a memorial concert in his honor at St. Peter’s Lutheran Church in New York City, with an all-star lineup of musicians and spoken tributes from jazz writers Dan Morgenstern, Terry Teachout, and others. Sudhalter left behind three important biographies and studies: Lost Chords: White Musicians and Their Contributions to Jazz, 1915-1945, Stardust Melody: the Life and Music of Hoagy Carmichael, and Bix, Man and Legend (co-author with Phil Evans).
Jazz writer and musician Allen Lowe has put together a terrific series of 9-CD sets documenting jazz from 1895 to 1950 called That Devilin’ Tune, which includes his book of the same name. I’ve posted about these sets before, particularly Volume 4, which covers the 1945-1950 period…
Reflections on one of the music's leading critics.