In the 1950s Cafe Bohemia was one of the most happening jazz clubs in New York—a club that caught the vibe of the city's thriving art and intellectual scene.
Memphis is renowned for its remarkable contributions to 20th-century popular music. But the city also has an outstanding jazz legacy--"The Memphis Mafia."
Wynton Marsalis is both respected and scorned as jazz's most prominent spokesperson. Yet in the early '80s, he was seen simply as a brilliant young trumpeter.
David Young was an unsung hero of the same Indianapolis scene that gave the world Freddie Hubbard, J.J. Johnson, and Wes Montgomery.
A tribute to an unsung hero of the Indiana Avenue jazz scene.
Tenor saxophonist Benny Golson has written some of the most beloved and frequently-played standards in the modern jazz canon.
2008: not a good year for the economy, certain politicians, or the Detroit Lions. In the realm of reissues and historical releases, however, it was a surprisingly good year. A highly subjective and belated list follows, presented in alphabetical order:
The Living Theater is reviving Jack Gelber’s groundbreaking 1959 play The Connection, a study of drug addicts (some of them jazz musicians) pontificating on their lives and chemical loves. The cast includes saxophonist Rene McLean, whose father Jackie performed in the original version, and will be directed once again by Judith Malina, who will also play the role of Sister Salvation.
Blue Note Records sent out an e-mail today announcing more catalogue deletions, on the heels of a similar announcement two weeks ago. You can view the entire list (which includes titles from a larger family of Blue Note-related labels) at True Blue Music. Warning, folks: it’s a veritable bloodbath.
Many of Horace Silver's compositions, such as “Opus de Funk,” “The Preacher,” “Nica’s Dream,” and “Peace” have become jazz standards heard frequently today.