Jazz fans are known for their religious-like zeal, but in the 1960s jazz sometimes became a PART of religion, providing the soundtrack for church ceremonies.
The capital of African-American culture in the United States for decades, Harlem has inspired all sorts of musical tributes.
Rifftides blogger and jazz eminence Doug Ramsey hipped readers several days ago to a Sunday, April 6 broadcast of Benny Carter’s rarely-heard “Kansas City Suite.” It’s at 1 p.m. PDT on KPLU.org…
Historian and Indiana University professor Michael McGerr is a man whose scholarly knowledge and personal enthusiasms are infectiously wedded. In Part 2 of this Night Lights interview, Michael talks about the influence of Duke Ellington’s ambitious Black, Brown and Beige suite and the civil-rights movement on later composers who undertook extended black musical histories as well. Michael is a guest on this week’s show, Suite History: Duke Ellington, Oliver Nelson, John Carter, and the African-American Odyssey…
Our guest on this week’s Night Lights program Suite History is Michael McGerr, a historian and professor at Indiana University in Bloomington. Michael, author of the book A Fierce Discontent: The Rise and Fall of the Progressive Movement in America, 1870-1920, frequently teaches a course at IU on American popular music in the 20th century. He has a particular passion and expertise for Duke Ellington, one of the three composers whose music is featured in Suite History, and he can be heard in two previous WFIU documentaries…
The inspiration came from a late-night party, a convergence of Hollywood glamour and early civil-rights activism with one of America's greatest jazz orchestras.
In 1945 pianist, composer and arranger Mary Lou Williams debuted her first extended work, The Zodiac Suite, with musical movements for each sign of the zodiac. Williams was 35 years old, already a veteran of the swing era; she was playing regularly at New York City’s Café Society, hosting a weekly radio program, and had begun…