Jazz salutes in song to African-American actors, athletes, and artists.
Kickin' the gong around with Minnie, McVouty, Freddie, and other assorted jazzniks.
A saxophone giant returned to the scene and a swing-era icon toured the Soviet Union. Bossa nova was on the rise, and so was the avant-garde.
Smoke dreams, sorcerers, stalking monsters, and strange exits: paranormal jazz encounters on this edition of Night Lights.
Long before the rise of the black-pride movement in the 1960s, Ellington was writing music that celebrated African-American culture, personalities, and history.
More of the full-length Night Lights interview with historian Michael McGerr about extended jazz works that depict the history of black America.
Historian Michael McGerr discusses Ellington's musical portrayals of the African-American experience.
Duke Ellington, Oliver Nelson, John Carter, and Wynton Marsalis all undertook a weighty artistic task--to represent the history of African-Americans in music.
It was a year of raised hopes and devastating tragedy, and the world of jazz continued to reflect both the growing unease and the youthful vitality of the times
Night Lights pays tribute to the holidays in the mellowest of moods.