The notion of hip has been at the heart of American counterculture since the 1940s, and it’s often included jazz as part of its soundtrack.
A new book examines the bandleader and composer's life in the historical context of his times.
Cafe Society was New York City's first integrated nightclub and a cultural flashpoint for artists, jazz musicians, intellectuals, and activists of the 1940s.
Afterglow takes a look at satirical and political protest music of the 1930s and 40s, performed by Duke Ellington, Cab Calloway, Billie Holiday and others.
Jazz criticism first emerged in the 1930s and has played a role not only in how the music's been heard, but sometimes in the way it's been made.
Night Lights offers a jazz tribute to Juneteenth, the African-American holiday marking the end of slavery, with commentary from historian William Wiggins.
The sounds and stories of the year that changed everything.
It marries the Who's song to a quick-moving series of 20th-century generational/liberational celebratory motifs cleverly strung together.
The Living Theater is reviving Jack Gelber’s groundbreaking 1959 play The Connection, a study of drug addicts (some of them jazz musicians) pontificating on their lives and chemical loves. The cast includes saxophonist Rene McLean, whose father Jackie performed in the original version, and will be directed once again by Judith Malina, who will also play the role of Sister Salvation.
All Things Considered did a story tonight on the Addiction Research Center that was a part of the federal prison in Lexington, Kentucky. The segment alludes to the many talented jazz musicians who passed through this program in the 1940s and 1950s, including Sonny Rollins and Tadd Dameron, who took what came to be known as “the Lexington cure.”