Gil Evans: the decade after the masterpieces with Miles Davis.
In the early 1950s musicians Roy Harte and Harry Babasin, eager to document the ascending West Coast jazz scene, started a Los Angeles label called Nocturne Records. Babasin and Harte said they wanted to “broaden the nation’s views of our activities out here in Hollywood…
This week on Night Lights we’ll feature the fifth and sixth volumes of Decca’s 1950s Jazz Studio series–the label’s West Coast-influenced answer to Norman Granz’s Verve jam session releases. V. 5, led by pianist and arranger Ralph Burns, includes trumpeter Joe Newman and little-known alto saxophonist Dave Schildkraut, who was once mistaken…
In the early 1950s vibraphonist Teddy Charles made a series of records with Shorty Rogers, Jimmy Giuffre, and others, that still escapes easy definition today–was it Third Stream? Was it West Coast? Was it cool jazz? We’ll hear selections from his albums…
This week on Night Lights it’s “Jazz Studio 3 & 4: John Graas and Jack Millman,” two more entries in Decca’s mid-1950s Jazz Studio series. John Graas was a classically-trained French horn player who worked with several famous big bands in the 1940s and who studied with both Lennie Tristano and West Coast music guru Wesley La Violette. In the 1950s he…