An update on previously-mentioned and newly-announced box-sets.
Chicago is a historic capital of early jazz and post-World War II blues, but in the 1950s and early 60s it also had a thriving hardbop scene.
In the late 1950s and early 1960s folk music became the new countercultural music of choice on college campuses. Here's how some jazz artists responded.
The new Charles Mingus/Eric Dolphy release from Blue Note, Cornell 1964, arrived at the station last week. Along with the recent reissue of the little-known 1970 Complete America Session and last year’s ragged but vital At UCLA 1965 (aka Music Written for Monterey, 1965 Not Heard…played in its entirety), it’s been a good run lately for Mingus fans. The Monterey and America dates give us glimpses of Mingus from a period…
On “Slide at 75″ we celebrate a landmark birthday of trombonist, composer, and arranger Slide Hampton. Hampton, like fellow trombonists J.J. Johnson and David Baker, emerged from the Indianapolis jazz scene of the 1940s and early 1950s, playing with his prolifically talented family’s band before going on the road with Buddy Johnson, Lionel Hampton, and Maynard Ferguson…
Tenor saxophonist John Gilmore spent most of his career with Sun Ra and his Arkestra, recording outside of Sun Ra’s band on only a handful of occasions.