We'll hear an interview with Oscar Brown Jr, a pioneer of early 1960s vocal jazz.
Media pundits a-twitter about deadpan satirist Stephen Colbert’s leap into the 2008 primaries need only look to the jazz world for a precedent: trumpeter Dizzy Gillespie’s historic 1964 challenge to incumbent Lyndon B. Johnson and Republican nominee Barry Goldwater. And while the jury is still out on whether…
The day Louis Armstrong told the U.S. government to go to a very choice place: David Margolick’s article in the New York Times yesterday provides some historical elaboration. (Margolick is the author of Strange Fruit: the Biography of a Song.) There’s also an online NPR story, Remembering Louis Armstrong’s Little Rock Protest. For more about Armstrong and how the politics of the era mixed with jazz, check out our previous program Jazz Goes to the Cold War.
In 1961 pianist Horace Tapscott turned his back on a high-profile jazz gig and began to help build a vibrant, multicultural underground Los Angeles jazz scene.
There was a strong relationship between jazz and civil rights in 20th-century America, and artists sometimes addressed the cause explicitly in their music.
Music by Lou Donaldson, Gil Scott-Heron, Freddie Roach, Jackie McLean, and others.
King was a jazz fan, and eloquently expressed his admiration for the music; numerous jazz musicians repaid the compliment.
We're honoring the memory of singer-songwriter and activist Oscar Brown, Jr.
In the 1950s and 60s, as the Cold War & the civil-rights movement heated up, the U.S. State Department sent jazz musicians on goodwill tours around the world.
Night Lights' pilot program that aired on the eve of 2004's July 4th holiday.