You can now become a fan of Night Lights on Facebook. If you're just discovering the program through Facebook, here are some shows you might want to check out.
Night Lights offers a jazz tribute to Juneteenth, the African-American holiday marking the end of slavery, with commentary from historian William Wiggins.
Miles Davis, Dave Brubeck, John Coltrane, Ornette Coleman, Charles Mingus, Bill Evans...what was in the air in 1959? The story of the Year of the Masterpiece.
Pianist Billy Taylor’s website has posted audio of a half-hour set at Boston’s Storyville club in 1951, featuring Charles Mingus on bass and Marquis Foster on drums, with Nat Hentoff doing between-song stage announcements. The sound is crystal-clear by 1951 radio-broadcast standards, with…
Handy talks about his troubled relationship with his first record label, his move back to California in the early 1960s, and the formation of his quintet.
Handy discusses a unique aspect of his sound, the night Mingus made a scene listening to him play, and the frustrations he faced recording his first album.
Handy talks about early encounters with Dexter Gordon and Art Tatum, why he came to favor the alto saxophone, and the legendary young bassist Albert Stinson.
A musical portrait of the early years of one of the few surviving saxophone heroes from the 1950s and 60s golden age of hardbop.
The new Charles Mingus/Eric Dolphy release from Blue Note, Cornell 1964, arrived at the station last week. Along with the recent reissue of the little-known 1970 Complete America Session and last year’s ragged but vital At UCLA 1965 (aka Music Written for Monterey, 1965 Not Heard…played in its entirety), it’s been a good run lately for Mingus fans. The Monterey and America dates give us glimpses of Mingus from a period…
Compilations are usually anathema to jazz aficionados, but Allen Lowe's Devilin' Tune project offers a highly compelling tour of music history.