Night Lights is a weekly one-hour radio program of classic jazz hosted by David Brent Johnson and produced by WFIU Public Radio. Night Lights airs on WFIU HD1 Saturday at 11:05 p.m.
For the past 50 years pianist, composer and bandleader Clare Fischer has quietly pursued one of the most interesting careers in jazz, exploring Latin, bossa nova, and other genres. “Extension: Clare Fischer in the 1960s” features some of his piano-trio work, his recordings with Bud Shank, and several of his big-band and small-group sides as well.
The Beatles’ explosive arrival on the American music scene in 1964 shook up the jazz world just as much as it did the rest of America—perhaps even more so.
Based on the true story of accused murderess Barbara Graham, the 1958 movie I Want to Live! employed a jazz soundtrack written by Johnny Mandel and performed by such jazz stalwarts as Gerry Mulligan, Bud Shank and Art Farmer (who appeared in the movie’s opening scenes), along with Frank Rosolino, Jack Sheldon, and Shelly Manne. Susan Hayward
In the early 1950s musicians Roy Harte and Harry Babasin, eager to document the ascending West Coast jazz scene, started a Los Angeles label called Nocturne Records. Babasin and Harte said they wanted to “broaden the nation’s views of our activities out here in Hollywood…
In 1957 a young Robert Altman (future director of Nashville, MASH, and The Player) co-directed a documentary about James Dean, with a soundtrack written by Leith Stevens (who also scored The Wild One…
Based on the true story of accused murderess Barbara Graham, the 1958 movie I Want to Live! employed a jazz soundtrack written by Johnny Mandel and performed by such jazz stalwarts as Gerry Mulligan, Bud Shank and Art Farmer (who appeared in the movie’s opening scenes), along with Frank Rosolino, Jack Sheldon, and Shelly Manne. Susan Hayward
In 1949 former Stan Kenton bassist Howard Rumsey began a series of Sunday afternoon performances at the Lighthouse Cafe in Hermosa Beach, California, a club that had formerly catered mostly to merchant marines and other sailors. These jam sessions eventually spawned the collective known as the Lighthouse All-Stars, featuring many…
Baritone singer Johnny Holiday performed with some big bands in the 1940s (including a brief stint filling in for Johnny Desmond in the 1945 edition of the Glenn Miller Orchestra) and went on to release several albums in the 1950s, two of them made with West Coast jazz musicians, that received good notices but failed to sell well. Holiday spent the next few…
Several recent Pacific Jazz re-issues of Chet Baker are the focus of this edition of Night Lights, including Chet Baker Ensemble, Chet Baker Sextet, and Chet Baker Sings and Plays. These recordings were all done between 1953 and 1955, when Baker’s star was ascending and he was relatively untroubled by…