From 1949 to 1954 Artie Shaw made a number of recordings that form one of the most dynamic chapters of his career--and the concluding one as well.
The music and story of a bandleader from Terre Haute, Indiana who helped shape the sound of modern jazz.
In the late 1940s the "King of Swing" briefly embraced the new sounds of bebop.
A friend writes to pass along the good news: Mosaic Records is still planning on doing a 1930s Duke Ellington Columbia big-band set.
Two of longtime bandleader Gerald Wilson's finest orchestras--his progressive, modernistic 1940s outfit and his 1960s West Coast band.
Ellington kept his orchestra together in a changing economic landscape, continuing to create memorable music and expanding his compositional horizons.
Marc Myers' mention of the late arranger Bill Finegan yesterday reminded me of a show I did about Tommy Dorsey's post-World War II orchestra for The Big Bands.
*Mosaic Records will release a three-CD Select set of mid-1970s RCA Toshiko Akiyoshi-Lew Tabackin big-band recordings later this year.Elsewhere around the jazz blogosphere this past week…
Gil Evans: the decade after the masterpieces with Miles Davis.
Duke Ellington's 1941 musical Jump for Joy was a cultural milestone, an assertive, satirical riposte to the servile depictions of African-Americans.