Compilations are usually anathema to jazz aficionados, but Allen Lowe's Devilin' Tune project offers a highly compelling tour of music history.
Jazz greats such as Dexter Gordon, Bud Powell, Kenny Clarke, and Don Byas spent long periods of time on the European continent and made many recordings there.
In the 1940s and 50s the colorful, laidback radio personalities who helped introduce bebop and other new music to audiences inspired tributes from musicians.
As the swing era gave way to new and challenging sounds, a generation of bandleaders was forced to take notice.
Jam sessions, bebop, r and b, big bands, visits from Hollywood celebrities--as the center of African-American culture in L.A., Central Avenue had it all.
The best pianist you never heard: the story and posthumous musical legacy of Frank Hewitt.
Several years ago an amazing audio find came to light–a June 1945 Town Hall concert in New York City featuring Charlie Parker, Dizzy Gillespie, and Max Roach–the rising stars of the then-revolutionary new music bebop–accompanied by Al Haig on piano and Curley Russell on bass. The performance, captured in sound that’s stellar by the era’s standards…
We'll hear collaborations with former Basie big-band singers Billie Holiday and Helen Humes, as well as a live version of some bop anthems.
A look at the late-1940s and early-1950s Boston jazz scene.
As the messiah of modern bop, Charlie Parker was one of the first jazz musicians to be recorded widely in live settings. On this program, in honor of the 84th anniversary of his birth, we’ll feature music from Bird’s performances with Bud Powell, Fats Navarro, Charles Mingus, Roy Haynes, and other leading lights of late-1940s and early-1950s jazz, including an impromptu “Well You Needn’t” with Thelonious…