The career of a talented and perennially-unsung trumpeter.
We think of Charlie Parker as a small-group bebop saxophonist, but he came out of the swing era. What did he sound like in a big-band setting?
The notion of hip has been at the heart of American counterculture since the 1940s, and it’s often included jazz as part of its soundtrack.
Birdland was known as “the jazz corner of the world,” and from 1949 to 1965 it played host to some of the greatest names on the modern jazz scene.
JazzWax blogger and Wall Street Journal music writer Marc Myers discusses his book about how cultural, economic, and social forces shaped the sound of jazz.
One of the most renowned jazz educators in America joins Night Lights this week as we take a look at his compositional legacy.
The great bebop pianist on the radio and in concert with Cootie Williams, Charlie Parker, Dizzy Gillespie, and as the leader of his own trio.
A musical tribute to the man who gave us "Moody's Mood for Love" and so much more, spanning his bebop origins to his later recordings.
Williams' career ranged from swing and bebop to expatriate and sacred jazz, a stint as a jazz educator, and a 1977 encounter with avant-garde icon Cecil Taylor.
Charlie Parker was only 34 when he died in 1955, but he'd already changed the sound of jazz forever. Fans and fellow musicians were determined to celebrate him.