A bitchin' brew of hardbop, fusion, vocal, and hot-swinging jazz.
Ornette Coleman's music shook up a generation of jazz artists, but some of them almost immediately began to play it.
Many of Horace Silver's compositions, such as “Opus de Funk,” “The Preacher,” “Nica’s Dream,” and “Peace” have become jazz standards heard frequently today.
More from last Friday evening’s Afterglow program devoted to jazz and jazz-vocal recordings of the songs from Show Boat. Hour 2 features several very different versions of “Ol’ Man River,” including a contemporaneous …
The new Charles Mingus/Eric Dolphy release from Blue Note, Cornell 1964, arrived at the station last week. Along with the recent reissue of the little-known 1970 Complete America Session and last year’s ragged but vital At UCLA 1965 (aka Music Written for Monterey, 1965 Not Heard…played in its entirety), it’s been a good run lately for Mingus fans. The Monterey and America dates give us glimpses of Mingus from a period…
This 1960 movie is the only film adaptation of a Jack Kerouac novel to date, employing a jazz score and Gerry Mulligan as a hip, saxophone-playing priest.
1956 was a spectacular year for Pepper, and the recordings he did for the Aladdin label are still considered as some of the finest albums that he ever did.