In the 1960s Herbie Hancock seemed to be everywhere on the jazz scene, recording both as a leader for Blue Note and as a sideman with Miles Davis and others.
In 1952 Billie Holiday began her last great period on record with a series of small-group sessions that capture the twilight glow of a jazz star.
Long before the rise of the black-pride movement in the 1960s, Ellington was writing music that celebrated African-American culture, personalities, and history.
Wilson's records blended big-band and small-group elements with pop orchestration and doses of soul that could be both big-city hip and suburban cool.
In 1971 Columbia Records signed four of modern jazz's greatest artists. Within two years all four were gone. What happened?
Six albums as a leader. Sideman appearances with John Coltrane, Bud Powell, and Jimmy Smith. The story of trombonist Curtis Fuller's first year on record.
Liston was a trailblazer for women in 20th century jazz, a master trombonist and arranger who forged partnerships with some of the music's most key figures.
As the 1960s began Miles Davis entered a period of transition, first trying to find a saxophonist to replace John Coltrane and then a new rhythm section.
Jarrett's early solos, one critic said, "contain in them the entire history of jazz piano."
Struggle, rebirth, and return: Bud Powell biographer Peter Pullman joins us again as we chronicle the final years of pianist Bud Powell.