We think of Charlie Parker as a small-group bebop saxophonist, but he came out of the swing era. What did he sound like in a big-band setting?
Pearson's ensemble was part of a late-1960s big-band renaissance in New York City.
"He writes the unexpected," Mel Lewis once said of his orchestral co-leader Thad Jones.
The notion of hip has been at the heart of American counterculture since the 1940s, and it’s often included jazz as part of its soundtrack.
Birdland was known as “the jazz corner of the world,” and from 1949 to 1965 it played host to some of the greatest names on the modern jazz scene.
Duke Ellington, Oliver Nelson, John Carter, and Wynton Marsalis all undertook a weighty artistic task--to represent the history of African-Americans in music.
At the end of the 1930s jazz impresario John Hammond organized two concerts that showcased African-American music in a prestigious New York City concert hall.
It was a year of raised hopes and devastating tragedy, and the world of jazz continued to reflect both the growing unease and the youthful vitality of the times
Long a troubled star in the mid-20th century jazz world, at the end of his life saxophonist Stan Getz found peace and made some of his finest recordings.
Trumpeter Lee Morgan and saxophonist Wayne Shorter were two of the leading lights of the 1960s hardbop era.