Music inspired by the Brubeck Quartet's international tours during the height of the Cold War.
Carla Bley is renowned today for her big-band writing, but it was small-group recordings of her work in the 1960s that introduced her to the jazz world.
If you get a chance, check out the special jazz issue of StopSmiling, a Chicago-based music magazine. It has a good retrospective on Eric Dolphy, an interview with Ornette Coleman, a feature on Bobby Hutcherson, and much more. Brian Berger, editor of the fabulous New York Calling anthology and Who Walk in Brooklyn blog, hipped [...]
Inspired by Art Kane’s legendary 1958 Great Day in Harlem photo of jazz musicians, jazz photographer Mark Sheldon is planning an Indianapolis version, A Great Day in Indy, that will offer visual homage to the city’s jazz legacy. Details follow in the press release that Mark’s sent out…
Organissimo poster Bluerein reports that Mosaic Records will issue an Oscar Peterson Verve trio set later this year. The set will contain Peterson’s trio recordings made between 1951 and 1953 with Barney Kessel on guitar–no word yet on how many CDs it will contain. Other forthcoming sets this year…
Drummer Andrew Cyrille, who made some of his earliest recording dates with vibraphonist Walt Dickerson, passes along this sad news via the Jazz Programmer Listserv:
Brian Morton, co-author of numerous editions of the Penguin Guide to Jazz, will be publishing a biography of multi-instrumentalist Eric Dolphy in June 2009.
The new Grand Theft Auto IV game has been rocking the country (not to mention the television airwaves–I’ve seen the ad countless times in the past couple of weeks), racking up millions of sales and even more millions of dollars. The commercial features a standard, pulsing rock-hiphop soundtrack sample, but Downbeat notes that the new edition has a jazz component as well, in the form of legendary…
Pianist Billy Taylor’s website has posted audio of a half-hour set at Boston’s Storyville club in 1951, featuring Charles Mingus on bass and Marquis Foster on drums, with Nat Hentoff doing between-song stage announcements. The sound is crystal-clear by 1951 radio-broadcast standards, with…
Duke Ellington's 1941 musical Jump for Joy was a cultural milestone, an assertive, satirical riposte to the servile depictions of African-Americans.