Performers who mixed boogie, swing, ballads and blues with sly, suggestive lyrics brought out deeper nuance than their risque hits sometimes seemed to suggest.
One of the most expressive and original singers to come out of the post-World War II era, Betty Carter thrilled audiences with her daring vocal improvisations.
In 1965 saxophonist Charles Lloyd formed a quartet, including an up-and-coming Keith Jarrett and Jack DeJohnette, that found favor with young rock audiences.
Booker Little was a talented young trumpeter and composer who’d already begun to fulfill his promise when illness struck him down at the age of 23.
Around this joint we are big fans of the jazz writer Larry Kart and his book, Jazz in Search of Itself. As I’ve noted in our store section, Kart, who worked at Downbeat and was a longtime reviewer for the Chicago Tribune, “is not just a good critic–he’s a very good writer, whether he’s discussing Wynton Marsalis and the so-called ‘neocon’ musicians, Lennie Tristano…
Some jazz news of note from the past week or so…*The widely-syndicated, Siskel-and-Ebert-style radio jazz program Listen Here! will cease distribution at the end of this month. Word is that NPR’s long-running…
Some previous Night Lights shows from the archives, offered as listening suggestions for the coming weekend:Music for Peace: Mary Lou Williams’ Sacred Jazz. An early Night Lights show…
That church dedicated to the saxophonist in San Francisco? Not so weird, when you think about it.