“Even White Girls Get the Blues” is a look at three late-1950s blues-concept LPs by white female vocalists. Selections are included from Lee Wiley’s 1957 RCA album A Touch of the Blues (backed by Billy Butterfield and His Orchestra), Julie London’s 1957 “blues noir” LP About the Blues, and Jo Stafford’s 1959 concept record…
Una Mae Carlisle and Lil Green both were popular jazz-and-blues singer-songwriters in the 1940s; both spawned hits for Peggy Lee; and both are largely forgotten today. Carlisle, a teenage piano-playing protege of Fats Waller, wrote and recorded the hits…
Mary Lou Williams, the pianist, arranger, and composer whose career in jazz traced a line all the way from the Kansas City scene of the late 1920s through the swing era, bop, the 1950s jazz expatriate community, and an academic job at Duke in the late 1970s, also helped to pioneer sacred jazz in…