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More Medieval Instruments, John Abberger, and Alonso Mudarra

Musical instruments from the Middle Ages, Baroque oboist John Abberger, and Private Musicke performs music of Spanish Renaissance composer Alonso Mudarra.

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 Clavicytherium

Photo: Wikipedia

Detail of a clavicytherium from Michael Praetorius's Syntagma Musicum.

The personalities of medieval musical instruments can be described as having a lot of variety—in character, color, and volume, to name a few. Many of the typical instruments of the Middle Ages can even be defined by a combination of the kinds of sounds they produce.

Two instruments that lie at opposite ends in character are the harp and the hurdy-gurdy.

Harp

The medieval harp is a soft instrument and a much simpler version of the one heard in today’s orchestras, yet both have a common ancestor. The harp is often associated with the Biblical King David and, by extension, with wisdom.

Anonymous: Nota sebissa
Millenarium — Danses médiévales (Ricercar, 2008)
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Hurdy-Gurdy

The hurdy-gurdy, on the other hand, has a strong, piercing, and rustic sound. It, too, is an ancient instrument, its drone strings and simple keyboard playing music heard in many villages.

Anonymous: Chominciamento di gioia
Sinfonye/Stevie Wishart — Red Iris (Glossa, 1997)
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Bagpipes and Clavicytherium

Two other medieval instruments with very different characteristics are the bagpipes and the clavicytherium. Like the hurdy-gurdy, the bagpipes recall a more rustic music-making and one done outdoors, while clavicytherium, a type of early harpsichord, is always played indoors and in intimate settings.

Ghirardello da Firenze: Ballata “de poni amor”
Alla Francesca/Brigitte Lesne — Landini and Italian Ars Nova (Opus 111 , 1992)
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Conrad Paumann : Mit Ganczem Willen
Diabolus in Musica/Antoine Guerber — Dufay: Mille Bonjours! (Alpha, 2008)
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John Abberger and the Baroque Oboe

Principal oboe of the Canadian baroque orchestra Tafelmusik, John Abberger is in fact an American who took up the baroque oboe in the early 80s not long after graduating from Juilliard. In 2005, he recorded J.S. Bach’s oboe concertos with the ensemble Four Centuries of Bach.

J.S. Bach : Concerto in A major, BWV 1055, III. Allegro, ma non tanto (
Ensemble Four Centuries of Bach/John Abberger, baroque oboes and direction — J.S. Bach Concertos for Oboe (Analekta, 2006)
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Featured Release

Our featured recording is of Spanish Renaissance composer Alonso Mudarra. The European group Private Musick explores music from Mudarra’s Tres Libros de Musica en cifra para vihuela. Published in Seville in 1546, it contains music by Mudarra and his contemporaries for the vihuela, a kind of early guitar, in addition to including music for voice with vihuela accompaniment.

The ensemble’s director, Pierre Pitzl, has also arranged some of the pieces for viola da gamba consort. Spanish soprano Raquel Andueza is the soloist in the vocal works.

Diego Ortiz: Recercada, Quinta Pars
Raquel Andueza, soprano, and Private Musicke/Pierre Pitzl — Tres Libros de Musica en cifra para vihuela, Sevilla 1546 (Accent, 2009)
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Anonymous: Nota sebissa
Millenarium — Danses médiévales (Ricercar, 2008)
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album cover
Anonymous: Chominciamento di gioia
Sinfonye/Stevie Wishart — Red Iris (Glossa, 1997)
album cover
Ghirardello da Firenze: Ballata “de poni amor”
Alla Francesca/Brigitte Lesne — Landini and Italian Ars Nova (Opus 111 , 1992)
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album cover
Conrad Paumann : Mit Ganczem Willen
Diabolus in Musica/Antoine Guerber — Dufay: Mille Bonjours! (Alpha, 2008)
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album cover
J.S. Bach : Concerto in A major, BWV 1055, III. Allegro, ma non tanto (
Ensemble Four Centuries of Bach/John Abberger, baroque oboes and direction — J.S. Bach Concertos for Oboe (Analekta, 2006)
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Benedetto Marcello: Concerto for oboe in D minor, II. Adagio and III. Presto
Tafelmusik Baroque Orchestra/Jean Lamon — A Baroque Feast (Analekta, 2007)
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Diego Ortiz: Recercada, Quinta Pars
Raquel Andueza, soprano, and Private Musicke/Pierre Pitzl — Tres Libros de Musica en cifra para vihuela, Sevilla 1546 (Accent, 2009)
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Esteban Daça: Villancico “Quien te hizo Juan Pastor
Raquel Andueza, soprano, and Private Musicke/Pierre Pitzl — Tres Libros de Musica en cifra para vihuela, Sevilla 1546 (Accent, 2009)
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Alonso Mudarra: Romanesca, o Guárdame las vacas, Guitarra la temple nuevo
Raquel Andueza, soprano, and Private Musicke/Pierre Pitzl — Tres Libros de Musica en cifra para vihuela, Sevilla 1546 (Accent, 2009)
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Anonymous: “Claros y fresco rios”
Raquel Andueza, soprano, and Private Musicke/Pierre Pitzl — Tres Libros de Musica en cifra para vihuela, Sevilla 1546 (Accent, 2009)
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Alonso Mudarra: Gallarda
Raquel Andueza, soprano, and Private Musicke/Pierre Pitzl — Tres Libros de Musica en cifra para vihuela, Sevilla 1546 (Accent, 2009)
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Bernard Gordillo

Bernard Gordillo was born in Managua, Nicaragua, and raised in New Orleans. He holds degrees from Centenary College of Louisiana, the Early Music Institute at Indiana University, and the Guildhall School of Music and Drama (London). Bernard also writes and hosts the Harmonia Early Music Podcast.

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  • Mhultin

    There doesn't appear to be an audio link to this epsidoe yet.

  • http://twitter.com/bernardgordillo bernardgordillo

    Thanks for letting us know, it's up now. BG

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