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Harmonia Early Music

Madrigals Of Orlande De Lassus

One of the most versatile Renaissance composers revisits a versatile format near the end of his life.

Orlando_di_Lasso

Photo: public domain

Detail of composer's portrait from a printing of his music.

By the mid-sixteenth century, the most popular vocal genre was the madrigal. It had started over 200 years earlier as a poetic form but composers rediscovered it during the height of the Renaissance and used the name for their secular vocal pieces.

Orlande de Lassus was a rock star of madrigals and he didn’t shy away from this reputation. His fourth book of madrigals even meant to show-quote-“that the Muses were cherished and could flourish in ‘Germania’ as well as in Italy.” Lassus finished his Lagrime di San Pietro six weeks before his death, and there’s no doubt that thoughts of life, death, and preparing to meet his maker permeated his thoughts while writing these pieces.

Ars Nova recorded all twenty-one of these madrigals on the Naxos label, let’s listen to number 21: Vide Homo.

Music Heard On This Episode

Orlande de Lassus: Cosi tal'hor
Ars Nova; Bo Holton, cond. — Lagrime di San Pietro (Naxos)
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album cover
Orlande de Lassus: Cosi tal'hor
Ars Nova; Bo Holton, cond. — Lagrime di San Pietro (Naxos)
Buy from Amazon »
album cover
Orlande de Lassus: Vide homo
Ars Nova; Bo Holton, cond. — Lagrime di San Pietro (Naxos)
Buy from Amazon »
album cover
Anna Pranger

Anna Pranger moved to Bloomington in 2009 to pursue a degree in music librarianship. Before this, she worked on a degree in music history at the College-Conservatory of Music in Cincinnati, Ohio. She serves as both an assistant producer for Harmonia and the Music Library Assistant for WFIU.

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