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J.S. Bach PASSIONS: Matthew, Arabian, and Pitié

Bach's Matthew Passion and two modern works inspired by it.

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Photo: Judith I. Haug

Lebanese vocalist Fadia El-Hage, soloist in Vladimir Ivanoff's "Arabian Passion."

Matthew Passion

Johann Sebastian Bach’s settings of the Passions according to St. Matthew and St. John are among his most powerful compositions. The new Linn recording of the Matthew Passion by the Dunedin Consort and Players (directed by John Butt) is a terrific addition to the Passion discography. The ensemble’s soloists, choir, and orchestra are not only in fine form, but offer a new and fresh interpretation.

Johann Sebastian Bach: Choral “O haupt voll blut und wunden”
Dunedin Consort and Players/John Butt — Matthew Passion (Linn, 2008)
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Arabian Passion

Based on material from both the St. John and St. Matthew Passions, Vladimir Ivanoff came up with a work known as the Arabian Passion, bringing together instruments and styles from Europe and the Middle East. The Passion texts are sung in both German and Arabic by Fadia El-Hage whose beautifully rich alto voice is the highlight of the recording. Ensemble Sarband gives an excellent performance.

Johann Sebastian Bach (Ivanoff, arr.): “Wir haben ein Gesetz”
Sarband and Fadia El-Hage/Vladimir Ivanoff — Arabian Passion According to J.S. Bach (Jaro, 2009)
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Pitié

Not long after Fabrizio Cassol collaborated with choreographer Alain Platel on an arrangement of Monteverdi’s Vespers, the two came up with a similar concept, this time inspired by J.S. Bach’s Matthew Passion. The resulting work is a powerful statement that is noticeably more of the 21st than of the 18th Century. Nevertheless, Bach’s music is recognizable if fleeting around the intense vocalizing and instrumental improvisations.

Fabrizio Cassol, arr.: I. Prelude
AKA Moon/Fabrizio Cassol — Pitié: Inspired by the Matthew Passion of J.S. Bach (Cypres, 2008)
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Johann Sebastian Bach: Choral “O haupt voll blut und wunden”
Dunedin Consort and Players/John Butt — Matthew Passion (Linn, 2008)
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album cover
Johann Sebastian Bach: Aria “Gebt mir meinen Jesum”
Dunedin Consort and Players/John Butt — Matthew Passion (Linn, 2008)
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album cover
Johann Sebastian Bach (Ivanoff, arr.): “Wir haben ein Gesetz”
Sarband and Fadia El-Hage/Vladimir Ivanoff — Arabian Passion According to J.S. Bach (Jaro, 2009)
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album cover
Johann Sebastian Bach (Ivanoff, arr.): “Von den Stricken meiner Sünden”
Sarband and Fadia El-Hage/Vladimir Ivanoff — Arabian Passion According to J.S. Bach (Jaro, 2009)
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album cover
Fabrizio Cassol, arr.: I. Prelude
AKA Moon/Fabrizio Cassol — Pitié: Inspired by the Matthew Passion of J.S. Bach (Cypres, 2008)
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album cover
Fabrizio Cassol, arr.: IV. “Blute nur”
AKA Moon/Fabrizio Cassol — Pitié: Inspired by the Matthew Passion of J.S. Bach (Cypres, 2008)
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album cover
Bernard Gordillo

Bernard Gordillo was born in Managua, Nicaragua, and raised in New Orleans. He holds degrees from Centenary College of Louisiana, the Early Music Institute at Indiana University, and the Guildhall School of Music and Drama (London). Bernard also writes and hosts the Harmonia Early Music Podcast.

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