Harmonia Early Music

John Dowland: 450 Years And Counting

Two new releases of music by John Dowland, a composer whose works are still being performed, admired and enjoyed.

Title page of a 1604 publication of Dowland's Lachrimae.

Photo: Manchester Libraries (flickr)

Title page of a 1604 publication of Dowland's Lachrimae.

John Dowland

John Dowland was a world traveler. The famous composer hailed from either England or Ireland, (Both claims to his nationality have been made!), and Dowland had a serious travel itch that he scratched by heading off to France while still a teenager. From France, Dowland moved to Germany, Italy, and eventually landed in Denmark where he became the highest paid musician in the Danish court of King Christian.

Hamburger Ratsmusik

If you’re interested in placing John Dowland within his place and time and contemporary European context, this 2013 CPO records recording by the ensemble Hamburger Ratsmusik called Come Again: John Dowland and his contemporaries”offers an interesting take. Composers featured include the likes of Orlandus Lassus, Samuel Scheidt, Louys de Moy, William Brade, Johann Sommer, Johann Schop, Gabriel Voightlander, Melchior Borchgrevinck, Jacob and Michael Praetorius, and of course, a lot of Dowland.

Arguably, Dowland’s most enduring piece is his pavan Lachrimae and that piece provides a good picture of just how interconnected all these composers were. The Lachrimae found its way into oodles of manuscripts and prints in many different solo and ensemble arrangements by various composers who borrowed the tune for themselves. Several versions, along with other Dowland songs are performed on this CD.  Simone Eckert directs music on this recording that features performances by a consort of viols, along with tenor Jan Kobow and lutenist Ulrich Wedemeier.

Tr. 4, Le Petit Bouquet de Frise Orientale: X. Padvana d'Aurick; Tr. 16, Paduana und Galliard: Paduana; Tr. 11, Book of Songs, Book 1: Can she excuse my wrongs
Hamburger Ratsmusik — John Dowland & His Contemporaries (CPO, 2013)
Buy from Amazon »
album cover

Lachrimae and Thomas Dunford

The configuration of a solo singer with lute accompaniment  is the way that most of us are accustomed to hearing Dowland songs performed. Yet, there surely was, or in fact is, great freedom in the performance of these works. And our second featured recording, a 2012 CD from the Alpha label, offers performances of these works by multiple singers. Recordings of these songs made with more than one singer are certainly in the minority, so it is enjoyable hearing them presented this way. 

Thomas Dunford also performs several lute solos including the title track, Dowland’s Lachrimae.

One look through the CD booklet that comes with this disc and you’ll be struck by the youth of the talent represented: a new generation to whom this music still speaks. Hang on all the way to the end of the disc and you’re in for a surprise bonus track—a version of Trent Reznor’s song, “Hurt,” first released by the industrial rock band, Nine Inch Nails on their 1994 album, Downward Spiral. Reznor’s song has since been covered by lots of other artists, most famously Johnny Cash. But what’s interesting about hearing it tagged on at the end of this Dowland recording is that after a good hour of melancholy English Renaissance music, “Hurt,” actually doesn’t seem so out of place. The song is presumably covered by Thomas Dunford himself.

John Dowland: Tr. 13. Lachrimæ; Tr. 10, Can she excuse; Tr. 5, I saw my Lady weepe
Thomas Dunford — Lachrimae (Alpha, 2013)
Buy from Amazon »
album cover

John Dowland: Tr. 13. Lachrimæ; Tr. 10, Can she excuse; Tr. 5, I saw my Lady weepe
Thomas Dunford — Lachrimae (Alpha, 2013)
Buy from Amazon »
album cover
Tr. 4, Le Petit Bouquet de Frise Orientale: X. Padvana d'Aurick; Tr. 16, Paduana und Galliard: Paduana; Tr. 11, Book of Songs, Book 1: Can she excuse my wrongs
Hamburger Ratsmusik — John Dowland & His Contemporaries (CPO, 2013)
Buy from Amazon »
album cover
Janelle Davis

Janelle Davis is a violinist and performer with period instrument ensembles throughout the United States. She is currently a candidate for the Doctor of Music degree from Indiana University, Bloomington where she specializes in early music.

View all posts by this author »

  • Kittybriton KB

    The choral version of “The Earl of Essex, His Galliard” is a real pleasure to listen to, although the poor lute does get rather lost at the bottom of the mix.

Stay Connected

What is RSS? RSS makes it possible to subscribe to a website's updates instead of visiting it by delivering new posts to your RSS reader automatically. Choose to receive some or all of the updates from Harmonia Early Music:

More Subscription Options

Follow Us

Support For Indiana Public Media Comes From

About Harmonia Early Music

About The Hosts

Search Harmonia Early Music

where to hear harmonia