Harmonia Early Music

Harmonia Time Capsule: “Greene Countrie Towne” of Philadelphia

Let’s take a quick look back in time to the “Greene Countrie Towne” of Philadelphia.

William Penn

Photo: Howcheng (Wikipedia)

William Penn, holding paper, standing and facing King Charles II in the a painting titled The Birth of Pennsylvania 1680 by Jean Leon Gerome Ferris.

In 1681, King Charles II of England granted William Penn a large tract of land in the New World. The territory was named Pennsylvania, meaning “Penn’s woodlands,” with a capital of Philadelphia, the “City of Brotherly Love.”  The territory was meant as a safe haven for Quakers who had been persecuted in England, and other oppressed religious groups. Penn, a Quaker himself, welcomed settlers from diverse religious practices to Pennsylvania, promising freedom of worship. It was a step towards the first amendment right to the free exercise of religion.Yet Penn’s idea of religious tolerance did not mean that colonists of all faiths had equal rights; only certain segments of the population were permitted to vote or hold political office.

Some Fruits Of Solitude
William Penn
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William Penn and the Quaker Legacy
John Moretta
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A Brief Account of the Rise and Progress of the People Called Quakers
William Penn
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When William Penn planned the city of Philadelphia, he envisioned a “greene countrie towne” with wide streets and ample room for gardens, as well as plenty of open and public space. As part of Penn’s charter for Pennsylvania, he included instructions that in developing the new settlement, care should be taken to leave one acre of trees for every five acres cleared. Besides preserving trees, Penn also planted them, importing many fruit and nut trees and other kinds of saplings from England to grow alongside the native trees in the colony.

Pennsylvania: A History of the Commonwealth
Randall M. Miller, William A. Pencak
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Philadelphia: A 300-Year History
Barra Foundation
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Interest in trees led to the foundation of a now famous arboretum. In 1700, a man by the name of George Pierce purchased about 189 acres of land (in Philadelphia) from William Penn.  Pierce’s twin sons, Samuel and Joshua Pierce, inherited the land in 1798 and turned it into an arboretum, stocking it with both American and more exotic trees. By 1850 the twins were nurturing one of the finest collections of trees in the country.  The property was eventually purchased in 1906 by Pierre du Pont, founder of the still-thriving DuPont company, and the arboretum came to be known as Longwood Gardens. Even today, Longwood Gardens maintains an impressive array of horticultural exhibits including Mediterranean and flower gardens, fountains, tropical greenhouses, and even a special children’s garden.

Plant Exploration for Longwood Gardens
Tomasz Anisko
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Besides his love of gardening, Pierre du Pont had a great interest in music. As a result, the Longwood facility maintains a performing arts program and hosts an ongoing series that includes onsite organ and carillon concerts.

Traditionally, the English Quakers who first settled in Philadelphia didn’t practice group singing or play musical instruments in their services, so the music scene in the colony had a slow start. But Philadelphia grew rapidly, quickly attracting a large and diverse population. As a result, much of the city’s early music history is tied to sacred music from a variety of different religious traditions. Perhaps most influential in Philadelphia’s musical life were the city’s German immigrants who began arriving around 1700. More than 20 editions of German hymnbooks were published in the colony, and by the mid 18th century, Philadelphia had become a leading center for music printing. One of the most significant colonial hymnbooks in English published there in 1761was called, Urania, or A Choice Collection of Psalm-Tunes, Anthems, and Hymns, compiled by James Lyon.

Instrument makers also flourished in 18th-century Philadelphia. Gustavus Hesselius, a Swedish immigrant, built harpsichords in Philadelphia as early as 1742, and the piano builder, John Behrent produced the colonies’ first forte piano in 1775. The demand for instruments increased as prominent churches began to install large pipe organs.

A History of the Harpsichord
Edward L. Kottick
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Music making outside the church usually took the form of private concerts in homes. But, in 1757, the first known public concert in Philadelphia was performed. Directed by a Mr. John Palma, the music presented was likely a mix of works by popular European composers of the time, and perhaps some pieces composed by Palma himself. Tickets were sold at the steep price of one dollar, and from record ledgers, we can be pretty sure that a military officer by the name of George Washington was in the audience.

Music of the Colonial and Revolutionary Era
John Ogasapian
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Music heard on the time capsule:

Tr. 13: Concerto grosso in B flat major, SC 57: Largo (excerpt))
Tempesta di Mare — Weiss: Lute Concerti (Chandos, 2004)
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Tr. 13: Concerto grosso in B flat major, SC 57: Largo (excerpt))
Tempesta di Mare — Weiss: Lute Concerti (Chandos, 2004)
Buy from Amazon »
album cover
Some Fruits Of Solitude
William Penn
Buy from Amazon »
album cover
William Penn and the Quaker Legacy
John Moretta
Buy from Amazon »
album cover
A Brief Account of the Rise and Progress of the People Called Quakers
William Penn
Buy from Amazon »
album cover
Pennsylvania: A History of the Commonwealth
Randall M. Miller, William A. Pencak
Buy from Amazon »
album cover
Philadelphia: A 300-Year History
Barra Foundation
Buy from Amazon »
album cover
Plant Exploration for Longwood Gardens
Tomasz Anisko
Buy from Amazon »
album cover
A History of the Harpsichord
Edward L. Kottick
Buy from Amazon »
album cover
Music of the Colonial and Revolutionary Era
John Ogasapian
Buy from Amazon »
album cover
Janelle Davis

Janelle Davis is a violinist and performer with period instrument ensembles throughout the United States. She is currently a candidate for the Doctor of Music degree from Indiana University, Bloomington where she specializes in early music.

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