Harmonia Early Music

1000: A Mass For The End Of Time

Anonymous 4 marks the current millennium by looking backward to the previous one with a mass from about the year 1000.

Vasnetsov-Apocalypse

Photo: Rillke (wikipedia)

Detail from the painting Four Horsemen of Apocalypse by Viktor Vasnetsov.

The Christian world-view in the tenth century was not so very different from ours of today. Then, as now, all sorts of possibilities of when and how the end of the world will come were prophesied.

Anonymous 4 has chosen the Feast of the Ascension, whose liturgy evocatively conjures the Last Judgment, as the basis of their harmonia mundi recording released in the year 2000.  On a CD entitled 1000: A Mass for the End of Time, they have assembled a mass drawing mostly on Aquitanian manuscripts from around the year 1000. They enhance some of the written music with the addition of polyphony and drones, as would very likely have been done by singers of the time.

Here is an excerpt from the prose and sequence Salvator mundi/Rex omnipotens, a type of piece that was, in the year 1000, a relatively recent addition to the mass.  It’s text rhapsodizes on the coming redemption of the world by the risen Christ.

1000: A Mass for the End of Time
Anonymous 4 (Harmonia Mundi Fr., 2000)
Buy from Amazon »
album cover

1000: A Mass for the End of Time
Anonymous 4 (Harmonia Mundi Fr., 2000)
Buy from Amazon »
album cover
Wendy Gillespie

Wendy Gillespie is Professor of Music, teaching early bowed strings and performance studies, at the Early Music Institute of the Jacobs School of Music, Bloomington, IN and President of the VdGSA. As a viola da gamba player, she has made more than 80 CDs and performed on five continents.

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