"We do not know what the century holds, because it’s never been younger and more urban. What we need to encourage in young people is innovation."
"Der Rosenkavalier" has more cast members, more complex orchestral and vocal scoring, more rehearsals, and at four hours plus in duration -- just more!
Peggy Melchior never thought her puppet theater would be celebrating 28 years in Nashville. If she had, perhaps she would have built a permanent roof.
Will the crowd at the Fourth Street Festival be interested in slowing down, pulling up a chair and taking a listen to the performers at the Spoken Word Stage?
A look at what's in the limelight this week in national arts news.
Testosterone, alcohol and the cold waters of the ocean are the fluids in this very Irish comedy.
The Fourth Wall are on the forefront of the hybrid arts movement that is blurring artistic boundaries.
The Forbidden Show's bawdy subject matter challenges audiences to leave their PC sensibilities at the door. Can Bloomington handle it?
Breshaun Joyner conceived of her one-woman show "Once More With Fire," wrote the script, amassed a crew, and is now preparing for opening night, in ten weeks.
Sheridan Whitesides, theater critic, columnist and radio personality, is a perfect role for Josh Carroll: acerbic, curmudgeonly, and magnetic.