"I’ve got to go back, because it’s going to get ugly," Bill Foley told his bureau after Bachir Gemayel was shot. "And I was right. I hate being right."
A new book by historian Eric Sandweiss reveals the man behind the camera.
Photographer Antonio Bolfo seeks to offer a more nuanced portrait of the life of a police officer assigned to patrol a housing project in the South Bronx.
Found photographs of an unidentified coastal community tweak the usual photojournalistic equation.
From Dorothea Lange’s "Migrant Mother" to the hooded captive at Abu Ghraib, Cookman traces the photojournalist's desire to effect a change for good.
In order to promote its programs designed to help impoverished rural citizens and restore the land, the FSA launched a massive propaganda machine.