The TMBCC's connection to a religion and government in exile makes it the ideal site for artworks exploring the concept that home is a portable feeling.
What might look like a lot of tomfoolery has proven to be a creative crucible and a professional incubator for each year’s crop of emerging artists.
Although disparate in terms of form, works by Arthur Liou, Barry Gealt, and Osamu James Nakagawa emerged from the artists’ philosophical and personal kinship.