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What Fools These Mortals Be

"It's love diverted, perverted, legislated, dominated and most of all celebrated!" -- Gavin Cameron-Webb director for "A Midsummer Night's Dream."

Titania pats the donkey

Photo: John Kinzer

Evelyn Gaynor as the besmitten Titania strokes the chin of Andrew Benowich as Bottom.

Event Information

A Midsummer Night’s Dream by William Shakespeare

classic comedy


Lee Norvelle Theatre and Drama Center

February 24, 25; 28-29, March 1-2 : at 7:30; March 3 at 2 pm and 7:30

812 855 1103

Coming to the Lee Norvelle Theatre and Drama center are the human and the fairy folk of Shakespeare’s A Midsummer Night’s Dream in a production directed by guest director Gavin Cameron-Webb.

Love’s Dimensions

Cameron-Webb’s production is focusing on love in its various dimensions. “Yes, love that is celebrated, love that is perverted, love that is diverted, love that finally finds the right home, attempts at legislating love, at dominating love … all of which, wonderfully, prove fruitless. And we have love at the high level, the middle level “and love at the lower level” with characters at each.”

A Golden Age In A Golden Age

Cameron-Webb has set A Midsummer Night’s Dream on a Hollywood sound stage in 1934. At this point in Hollywood the factories were booming and the basic craft of design, costume and especially lighting was at a very high level. This presents real challenges for the crew, not the least because the production substitutes a film for the dream — the movie is a musical version of Tarzan and Jane.

It’s A Jungle In There!

Nicholas Graves is the scenic designer. “Nick’s work is very striking,” says Cameron-Webb. “He has to give us three locations for this: one being the sound studio where the film is shot, the second being the film set itself which is a jungle, and the third being a hotel reception area for the immortal performance of Pyramus and Thisbe which ends the play.”

First, It’s All There In Black And White

“Including that film in the production meant special challenges for costume designer Jason Orlenko,” adds the director. “His clothes have to fit the period of the 1930s, but they also need to appear to be in black and white when we’re on the sound stage. Then the film is in brilliant color, so he has to make costumes for the Tarzan and Jane characters that are very colorful. And if that wouldn’t be enough, as the young lovers get lost they lose their outer garments to reveal highly saturated undergarments as they become more and more part of the film.”

Although Cameron-Webb agreed that lighting for A Midsummer Night’s Dream was going to be another key to the production’s success, we talked before tech week, so he could only say, “We’ll find out soon if the things that designer Amanda Wray and I have have envisioned will work.”

George Walker

After completing an M.A.T. degree in English at Indiana University, George Walker began announcing for WFIU in 1967. Along with regularly hosting classical music shows, he interviews artists and reviews plays and operas.

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