Their neighborhood has been documented by photographers with work in the Museum of Modern Art, but now the kids on Pigeon Hill are representing themselves.
"I’ve got to go back, because it’s going to get ugly," Bill Foley told his bureau after Bachir Gemayel was shot. "And I was right. I hate being right."
For Ben Pines, painting unremarkable scenery in a simplified way is not as much about representing the world out there, as it is about discovering himself.
Poetry Out Loud, the national recitation contest, inspires local high schooler Phiona Raffington to plunge into words and create community among her peers.
Indiana landscape painter William Forsyth’s latent modernism may have secured his place in history—Thomas Hart Benton’s version at least.
It's been said that the essential is invisible to the eye, but how do art museums present their collections to their visually impaired visitors?
Onya LaTour had hopped a freighter to Russia and run an art gallery in Puerto Rico before opening the Indiana Museum of Modern Art in a Nashville farmhouse.
Colorizing digital scans of historic photographs of Bloomington has provided a kind of out-of-body experience for artist Avi Katz.
Shelbyville's Skyline Drive-In caters to the niche market where Norman Rockwell nostalgia meets grindhouse funk.
Defying the prevailing narrative, domestic bliss inspired Pierre Daura to paint. Works by the modern master are currently on view at the IU Art Museum.