Indiana Public Media Arts & Music
Playwright and music critic George Bernard Shaw wrote of Pablo de Sarasate that he “left criticism miles behind him.
Despite Jules’ best efforts at open persuasion and secret approaches involving a turkey baster, Jo resists.
Twelve” is a sort of central number for me,” Zai said. It’s a number for transformations.
Having rarely exhibited and never sold any of his artwork, Morton C. Bradley left his entire body of work--more than 300 pieces--to Indiana University.
A few years ago a handful of ceramics artists decided to do something about that and formed the Local Clay Potter’s Guild.
I was invited in to teach the men on death row. I did it for twenty years until prison policies changed and I was invited out
I did sing with Madonna for Evita and you'll hear my voice, but it's coming out of someone else's mouth.
Lynda Martens leaves plenty of loose ends, but they’re quite human loose ends.
The Magic Flute’ Di Zauberflote in a new production that they will be sharing with the Atlanta Opera.
Speeches that we’re used to hearing from a male figure sound somehow different when a woman says them.
The clarinet was in its infancy. It had only five keys. Today we’ve got scads of them
Parents or grand parents who’re looking for a first opera for a child might want to think about the first act, adults will want to stay for the second act.
In order to promote its programs designed to help impoverished rural citizens and restore the land, the FSA launched a massive propaganda machine.
The buzz that you’re most likely to have heard about the Indiana University production of Shakespeare’s As You like It is that the Dukes are Duchesses.
ReAnna Headdy plays two of the women in the show. "The parts are close together, but it's easier than it sounds," is what she says.
Two weeks after President John F. Kennedy was assassinated on November 22, 1963, IU Professor R. LeRoy Bannerman wrote and produced "Tears of Rain."
This is the third year for our Director Michael Vernon's choreography. but there are some changes so audiences that return will see some new things.
On December 5th at two o'clock, the Jacobs School of Music's Early Music Institute will perform a rendering of the Christmas story like none other.
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